New York 29

For their third and certainly best record the classically inspired New York Rock And Roll Ensemble recruited Greek composer and songwriter Manos Hadjidakis. The resulting Reflections plays like a film score–not surprisingly, given Hadjidakis's experience as a composer of just such works–with epic instrumental sweeps and passages of quiet melancholy. Many of the tracks, such as "Orpheus," "The Day," and "Kemal," incorporate the folk melodies of Hadjidakis's homeland while maintaining a baroque psychedelic touch.

Red Patent Leather is a live album by the American rock and roll band the New York Dolls, released in 1984. It was recorded in New York a decade earlier, in March 1975, just a month before the group broke up during a Florida tour, and are the last recorded performances of the classic line-up, which includes: Johansen, Thunders, Sylvain, Kane, Jordan and Nolan.

The group was founded in 1977 by bassist John Lindberg, violinist Billy Bang, and guitarist James Emery. Though they initially worked on improvisational playing and on their own compositions, they eventually began taking on commissions, as well as doing arrangements of other jazz musicians' works…

2 CDs mit Leonard Bernsteins herausragenden Interpretationen der Haydn-Sinfonien mit dem New York Philharmonic Orchestra. Als erster US-Amerikaner war Leonard Bernstein von 1958-1969 Musikdirektor des New York Philhamonic Orchestra. In seinem Wirken als Dirigent fand er weltweit große Beachtung mit einem Repertoire, das von der Klassik bis zur Avantgarde reichte.

With ensemble vocal jazz, the danger is always that tight and complex harmony writing will come across as too smooth and too sweet – for some reason, chords that sound sharp and bracing when distributed among reed instruments can sound cloying and overly slick when sung by human voices. The vocal/instrumental quartet New York Voices don't avoid that trap entirely on their latest album (and their first as an ensemble in seven years), but they continue to demonstrate their mastery of the genre with a solid program of new and old songs and innovative arrangements. Their take on "Darn That Dream" is startlingly new (and features a fine bass clarinet solo by Bob Mintzer), and the lyrics that group members added to John Coltrane's "Moment's Notice" work very nicely. Not everyone will agree that the world needed a vocal jazz version of Laura Nyro's "Stoned Soul Picnic," but the New York Voices' version is really lots of fun and is sure to bring a nostalgic tear to more than one baby-boomer eye. Apart from a couple of saccharine moments on "In the Wee Small Hours of the Morning," A Day Like This is a pleasure from start to finish. Recommended.

This version of Handel's 'Messiah' could quite possibly be feasible today only as a Bernstein reissue. The quest for authenticity has overtaken the performance and recording of early music, and even a conductor recording 'Messiah' without attempting a historically-informed style of performance wouldn't dare introduce the level of revision that Bernstein did for this 1956 recording and the Carnegie Hall performances which preceded it.