A little more throttle would have been welcome on New York Jazz Quartet's cruising-paced Oasis set from 1981. As it is, Roland Hanna on piano, Frank Wess on tenor sax and flute, George Mraz on bass, and Ben Riley on drums take a low-key approach to two Wess originals and four from Hanna. It's a pleasant session, but not one that lives up to the potential of its lineup. The material is respectable and the quartet knows it well enough, but perhaps not sufficiently to transform written parts into a dynamic group effort. Mraz is the standout performer. He is in command of a ready flow of ideas and is captured with a rich, full sound. His duet with Hanna on the pianist's blues "Funk House" is a highlight that finds the pair expertly working the spaces they give each other…
Los Angeles, January 21, 2014: CONAN is gearing up to celebrate funk on February 10 when the show brings in jazz-funk groove machine Rock Candy Funk Party (RCFP) - a band that delivers a sound that's as celebratory as the name suggests - for their late-night television debut…
Dope funk, psychedelic soul and acid jazz from New York City '70-'74. UK compilation featuring 20 soul, funk and jazz classics from the legendary underground label best known for their acts, the Fatback Band and Black Ivory who are both represented here along with Dizzy Gillespie, Bobby Rydell and many more. Original vinyl from Perception and it's twin label today goes for a small fortune and has been sampled by DJ Shadow and KRS-One. Double slimline jewel case. 2000 release.
Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Although it was scheduled for release two times, Memphis to New York Spirit didn't appear until 1996, over 25 years after it was recorded. The album comprises the contents of two separate sessions – one recorded in 1970 with guitarist James "Blood" Ulmer, drummer Leroy Williams and saxophonist/flautist Marvin Cabell; the other recorded in 1969 with Cabell, Williams, and saxophonist George Coleman – that were very similiar in concept and execution.