Lucinda and band gallivant through the selected discography of Tom Petty, celebrating a shared Southern heritage and love for rock and roll along the way.
Popa Chubby, born Ted Horowitz, has been hard rocking the blues in his fierce and soulful way for more than 25 years. Over the course of a career that dates back to 1994, he has been a force of to be reckoned with on the guitar, and his tempestuous, soulful playing has never been more powerful. An imposing figure with a shaven head, tattooed arms, a goatee and a performance style he describes as “the Stooges meets Buddy Guy, Motörhead meets Muddy Waters, and Jimi Hendrix meets Robert Johnson," Popa Chubby is an endearing character who is one of the genre’s most popular figures.
The title track on José Feliciano’s latest album Behind This Guitar sums up, with uncanny accuracy, the still-unfolding career of this remarkable and singular figure in American musical culture of the last half-century. Puerto Rican by birth, a New Yorker (Spanish Harlem) from his childhood, José Feliciano has been a fact of American musical life since his breakthrough at the height of the Sixties – the golden age of American pop and rock music.
Having released two previous albums and a soundtrack, along with a stream of singles, over the previous 12 and a half months, the Lovin' Spoonful assembled their third regular studio LP, Hums of the Lovin' Spoonful, for release around Thanksgiving 1966. It contained the group's chart-topping single from the previous June, "Summer in the City," along with September's Top Ten hit "Rain on the Roof" (curiously titled "You and Me and Rain on the Roof" on the LP)…
Stephanie Mills was a native New Yorker having been born and brought up in the borough of Brooklyn. She first tasted success as a singer at the age of 9, winning the famed Apollo Theatre’s amateur hour several weeks in a row, which opened the doors to Broadway as a cast member in “Maggie Flynn” and as opening act for The Isley Brothers. Mills big break came in 1975 when she landed the lead role of Dorothy in the critically acclaimed Broadway musical “The Wiz,” based on The Wizard Of Oz. Jermaine Jackson was suitably impressed and was instrumental in helping her get signed to Motown Records to record her second album after “Movin’ In The Right Direction” on ABC records in 1974.