Nick Hudson

Roger Waters' The Wall, Live In Berlin marks the second in a series of Pink Floyd related reviews I will be writing to commemorate the long awaited release of the band's Pulse DVD, which I reviewed last month. During the end of the 80's, after Roger Waters had left Pink Floyd, he began making plans to perform The Wall as a huge event, originally considering such grand places as the Sahara Desert, Monument Valley, The Grand Canyon, and Wall Street. Around this time, plans were also underway for the reunification of Germany, and the Berlin wall eventually fell in November of 1989.

Various Artists - The Complete Stax & Volt Singles 1959-1968 (1991) {9CD Set Reissued 2016 Digitally Remastered}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.64 Gb | MP3 @320 -> 1.51 Gb
Full Artwork @ 300 dpi (png) -> 215 Mb | 5% repair rar
©1959-68, 1991, 2016 Atlantic / ATCO / Rhino / Warner | 081227954666
R&B / Blues / Soul / Doo Wop / Early Pop / Funk / Soul-Blues / Early R&B

9CD reconfiguration of original Atlantic box set, featuring every A-side the label released during those nine years, as well as several B-sides. The set is a definitive portrait of gritty, deep Southern soul. For any serious soul or rock collector, it's an essential set, since Stax-Volt was not only a musically revolutionary label, its roster was deep with talent, which means much of the music on this collection is first-rate. 11 of these singles charted on Billboard.

Among musicians, Arthur Alexander was always considered one of the greatest R&B songwriters. Both the Beatles and the Rolling Stones covered his songs, "Anna (Go to Him)" and "You Better Move On," respectively, early in their careers. But they weren't the only ones – throughout the years, his work was rich source material for many blues, soul, rock, and country artists. He may have earned the recognition of his peers, but he remained relatively unknown to the general public, right up to his death in 1993. In order to raise his profile, Razor & Tie released Adios Amigo: A Tribute to Arthur Alexander in 1994, assembling a stellar and diverse lineup to record new versions of his songs. The diversity and the fresh arrangements illustrates the depth of Alexander's songs and how well they lent themselves to new readings. Like any tribute album, Adios Amigo is uneven, with a few tracks falling flat, but the best moments – Elvis Costello's "Sally Sue Brown," Robert Plant's "If It's Really Got to Be This Way," Chuck Jackson's "You Better Move On," Frank Black's "Old John Amos," John Prine's "Lonely Just Like Me," Gary U.S. Bonds' "Genie in the Jug," Graham Parker's "Every Day I Have to Cry" and Nick Lowe's "In the Middle of It All" – are affectionate salutes to a departed master, and they're damn enjoyable in their own right as well.