Nicola Benedetti

This has the look of a career-making recording from Scots violinist Nicola Benedetti, putting her up against difficult repertory that diverges from the crowd-pleasing fare that formed the basis of her career up to this album. It would have been hard to predict just how well she pulls off her task here; few could have heard the profound interpreter of Russian music in the Italia and Silver Violin collections from earlier in the 2010s. The Shostakovich Violin Concerto No. 1, Op. 99, is an emotionally thorny work in five movements anchored by a tense passacaglia in the middle. The composer withheld it from publication during the period of renewed Stalinist repression in the late 1940s. It was premiered in 1955 by David Oistrakh, and in endurance and elevated tone even if not quite in lyrical grandeur, Benedetti brings that master to mind. Sample the Stravinskian "Burlesque" finale for a sense of how Benedetti gets outside herself here. The Glazunov Violin Concerto, Op. 82, is a more stable work, rooted in pre-WWI conservatory traditions, and Benedetti's reading is nothing short of letter-perfect.

Nicola Benedetti’s new album on Decca Classics features premiere recordings of two works written especially for her by jazz musician Wynton Marsalis: Violin Concerto in D and Fiddle Dance Suite for Solo Violin.

Decca Classics is thrilled to announce a new Baroque album from Grammy award-winning violinist Nicola Benedetti. This is the first album Benedetti has released on a period set-up including gut strings, and she is joined by a leading group of freelance baroque musicians, forming the Benedetti Baroque Orchestra for the very first time. The album features a selection of concerti by Vivaldi plus Geminiani’s incredible arrangement of Corelli’s ‘La Folia’, one of the oldest western classical themes which has been arranged by many composers over time, particularly in the baroque era. Geminiani was one of the greatest violinists of the era and Corelli was one of his teachers whilst growing up in Italy. Later when he moved to London, Geminiani reworked a number of Corelli’s works for local audiences including this arrangement of ‘La Folia’.

GRAMMY award-winning Nicola Benedetti’s new album on Decca Classics explores music by Britain’s best loved composer, Edward Elgar. The centrepiece is his vast Violin Concerto in B minor. Op. 61 coupled with three short works for violin and piano: Salut d’Amour, Sospiri and Chanson de Nuit.

Decca Classics is thrilled to announce a new Baroque album from Grammy award-winning violinist Nicola Benedetti. This is the first album Benedetti has released on a period set-up including gut strings, and she is joined by a leading group of freelance baroque musicians, forming the Benedetti Baroque Orchestra for the very first time. The album features a selection of concerti by Vivaldi plus Geminiani’s incredible arrangement of Corelli’s ‘La Folia’, one of the oldest western classical themes which has been arranged by many composers over time, particularly in the baroque era. Geminiani was one of the greatest violinists of the era and Corelli was one of his teachers whilst growing up in Italy. Later when he moved to London, Geminiani reworked a number of Corelli’s works for local audiences including this arrangement of ‘La Folia’.

Jazz trumpeter Wynton Marsalis' first forays into classical music in the 1980s were celebrated as some kind of unique breakthrough, but that overlooked the fact that Marsalis was classically trained at the Juilliard School, absorbed all kinds of traditions, and has always had aspirations in the classical sphere. Credit Marsalis with broad ambitions when he turns to classical composition, as in his Pulitzer Prize-winning oratorio Blood on the Fields (1997), and again here with a Violin Concerto and Fiddle Dance Suite, written for violinist Nicola Benedetti. Both works are impressive, not least in their idiomatic writing for the violin; they flatter Benedetti considerably.

Nicola Benedetti joins that small group of violinists who have given us really special recordings of Elgar’s concerto. Accompanied by an orchestra with this music flowing in its veins—it played for Nigel Kennedy’s now-classic version— and a conductor whose attention to the score’s myriad details never stands in the way of the work’s vast panoramas, Benedetti rises magnificently to the challenge. She achieves moments of great inwardness when needed, but sings out like a lark when the music demands it. It’s a very considerable achievement, and shows what a superb, mature musician she has blossomed into. Delightful encores too!

Three of the world’s greatest classical stars join forces to record Beethoven’s Triple Concerto. All alumni of the BBC Young Musician competition, they are great friends but this is the first time they have appeared on record together. They have a joint reach of over 1 million and are all touring regularly internationally. The first recording of the work on Decca Classics, Nicky, Sheku and Benjamin toured the concerto around the UK in 2023, after which they recorded it with the Philharmonia and their Principal Conductor Santtu-Matias Rouvali. The works are accompanied by a selection of Beethoven’s rarely performed Folk Songs, along with celebrated baritone Gerald Finley. Reflecting the Scottish, Welsh, Irish and English roots of the musicians, the album concludes with the trio alone: Kreisler’s arrangement of ‘Londonderry Air’, often known as ‘Danny Boy’.

Nicola Benedetti - The Silver Violin (2012) {Decca B0017609-02}
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© 2012 Decca Music | B0017609-02
Classical / Classical Crossover / Movie Themes / Violin

"Scotland's sweetheart" and onetime BBC Young Musician of the Year Nicola Benedetti follows up her 2011 release Italia with this collection of music from the silver screen and beyond. Centered around Erich Korngold's lush Violin Concerto, the album features film music both old and new, such as John Williams' Schindler's List, Howard Shore's Eastern Promises, and Dario Marianelli's Jane Eyre. It also includes other classical works by Korngold, Mahler, and Shostakovich.