Nigel Watson

Some Peter Green fans might be put off by this 64-song/four-CD collection, owing to the fact that they are likely to already own a significant chunk of what's here (especially the Fleetwood Mac material). (And in fairness, there apparently isn't a lot of – or any – unreleased material to draw on from Green's classic period with the band). But this reviewer had to spring for this four-and-a-half hour showcase of his work, and for one major reason – vitality. Green's virtuosity is a given, and his taste and his insights into blues and what can be done with it – while still leaving it as blues – are well known to anyone who's heard his work.

Some Peter Green fans might be put off by this 64-song/four-CD collection, owing to the fact that they are likely to already own a significant chunk of what's here (especially the Fleetwood Mac material). (And in fairness, there apparently isn't a lot of – or any – unreleased material to draw on from Green's classic period with the band). But this reviewer had to spring for this four-and-a-half hour showcase of his work, and for one major reason – vitality. Green's virtuosity is a given, and his taste and his insights into blues and what can be done with it – while still leaving it as blues – are well known to anyone who's heard his work.

Since Nigel Watson coaxed 60s legend Peter Green out of retirement in the late 1990s, and formed the Splinter Group, there's been controversy about how much Green the marquee player of the band really contributes. Watson reportedly does most of the heavy lifting on guitar, adopting a style based on Green's brilliant work of 30+ years ago. This concert video gives you the chance to see for yourself.
There are two sets, an acoustic set made up of blues standards, including the Robert Johnson covers for which the band is noted. Then there's an electric set in which the Splinter Group performs original compositions, concluding with two of Peter Green's old songs. This has been the formula since the band's inception: new arrangements of the Green classics; blues covers, and new material by the other members of the band.
Those other members play well, and this is an enjoyable concert. Sadly, however, Peter Green does not do very much. His voice, never strong since his return from retirement, is very shaky. (Significantly, Nigel now sings "Need Your Love So Bad", since Peter is no longer able to hit the higher notes at all.) And while Green plays some harp, and some guitar, it's really Nigel who's doing the work here. There are one or two spots where Green seriously gets to work, but for the most part he picks indifferently at his guitar, backing Nigel's fiery solos with a few notes here and there…..