Night Music

from A Little Night Music - The Miller’s Son  Sheet music

Posted by Salieri at Jan. 30, 2021
from A Little Night Music - The Miller’s Son

from A Little Night Music - The Miller’s Son
6 pages | PDF | 0.9 MB
Czech Chamber Philharmonic Orchestra Pardubice, Vahan Mardirossian - Mozart: Lodron Night Music, Divertimenti K247 & 287 (2024)

Czech Chamber Philharmonic Orchestra Pardubice, Vahan Mardirossian - Mozart: Lodron Night Music, Divertimenti K247 & 287 (2024)
FLAC (tracks), Lossless | 5:09:45 | 331 Mb
Genre: Classical

Like them, Le Bret alternates dances and character pieces. On the other hand, he makes no concessions to the taste for pastoral and country music, does not seem influenced by opera music, and does not overdo descriptive effects and virtuosity. All in all, Le Bret remains faithful to the subtle and poetic language of the harpsichord; as he says in his preface, he has ‘always endeavored in composing them to adorn them with the most graceful songs, knowing from our most illustrious masters that this is the beauty of this instrument.’ As Simone El Oufir Pierini observes in his booklet essay for this album, one evident example of Le Bret’s knowledge of ‘our most illustrious masters’ arises in the piece titled L’Embarassante, a stylish homage to Les Cyclopes by Rameau.
Czech Chamber Philharmonic Orchestra Pardubice, Vahan Mardirossian - Mozart: Lodron Night Music, Divertimenti K247 & 287 (2024)

Czech Chamber Philharmonic Orchestra Pardubice, Vahan Mardirossian - Mozart: Lodron Night Music, Divertimenti K247 & 287 (2024)
FLAC (tracks), Lossless | 5:09:45 | 331 Mb
Genre: Classical

Like them, Le Bret alternates dances and character pieces. On the other hand, he makes no concessions to the taste for pastoral and country music, does not seem influenced by opera music, and does not overdo descriptive effects and virtuosity. All in all, Le Bret remains faithful to the subtle and poetic language of the harpsichord; as he says in his preface, he has ‘always endeavored in composing them to adorn them with the most graceful songs, knowing from our most illustrious masters that this is the beauty of this instrument.’ As Simone El Oufir Pierini observes in his booklet essay for this album, one evident example of Le Bret’s knowledge of ‘our most illustrious masters’ arises in the piece titled L’Embarassante, a stylish homage to Les Cyclopes by Rameau.
Czech Chamber Philharmonic Orchestra Pardubice, Vahan Mardirossian - Mozart: Lodron Night Music, Divertimenti K247 & 287 (2024)

Czech Chamber Philharmonic Orchestra Pardubice, Vahan Mardirossian - Mozart: Lodron Night Music, Divertimenti K247 & 287 (2024)
FLAC (tracks), Lossless | 5:09:45 | 331 Mb
Genre: Classical

Like them, Le Bret alternates dances and character pieces. On the other hand, he makes no concessions to the taste for pastoral and country music, does not seem influenced by opera music, and does not overdo descriptive effects and virtuosity. All in all, Le Bret remains faithful to the subtle and poetic language of the harpsichord; as he says in his preface, he has ‘always endeavored in composing them to adorn them with the most graceful songs, knowing from our most illustrious masters that this is the beauty of this instrument.’ As Simone El Oufir Pierini observes in his booklet essay for this album, one evident example of Le Bret’s knowledge of ‘our most illustrious masters’ arises in the piece titled L’Embarassante, a stylish homage to Les Cyclopes by Rameau.
Dorothee Oberlinger, I Sonatori de la Gioiosa Marca - Night Music (2019)

Dorothee Oberlinger, I Sonatori de la Gioiosa Marca - Night Music (2019)
EAC | FLAC | Image (Cue & Log) ~ 333 Mb | Total time: 68:29 | Scans included
Classical | Label: Deutsche Harmonia Mundi | # 19075912522 | Recorded: 2018

The present recording brings together various examples of night music from the European tradition and constitutes a kaleidoscope refracting the manifold facets of night. In tells of brilliant celebrations, nocturnal love dramas and desires, tender lullabies, ghosts, birds of the night and the most holy of nights. It is Antonio Vivaldi's music that is pivotal to our recording. Providing a bridge between his works and functioning as interludes are songs, diminutions, motets, madrigals, sommeils and chaconnes from Spai, the Netherlands, France, England, Italy, Germany and Austria.

Proof through the Night: Music and the Great War  eBooks & eLearning

Posted by insetes at Nov. 20, 2021
Proof through the Night: Music and the Great War

Proof through the Night: Music and the Great War By Glenn Watkins
2002 | 614 Pages | ISBN: 0520231589 | PDF | 6 MB

Jan Lisiecki - Night Music (2022)  Music

Posted by ciklon5 at Feb. 17, 2022
Jan Lisiecki - Night Music (2022)

Jan Lisiecki - Night Music (2022)
FLAC (tracks), Lossless | 59:43 | 151 Mb
Genre: Classical / Label: Deutsche Grammophon (DG)

Following the fantastic Chopin album earlier this year, we announce the release of pianist Jan Lisiecki’s upcoming album Night Music. With this album Lisiecki continues to explore the universe of night music with works by Mozart, Ravel & Schumann, and consist of selected tracks of his Würzburg recital in 2018.
The release is complemented by a visual album, and both are set to be released 18 February 2022.
Listen to the second pre-release track ‘Ravel: Gaspard de la nuit, M.55 – III. Scarbo’ now!

Elena Denisova & Alexei Kornienko - A New Night Music (2022)  Music

Posted by delpotro at Jan. 12, 2022
Elena Denisova & Alexei Kornienko - A New Night Music (2022)

Elena Denisova & Alexei Kornienko - A New Night Music (2022)
WEB FLAC (tracks) - 232 Mb | MP3 CBR 320 kbps - 143 Mb | Digital booklet | 01:00:05
Classical | Label: Gramola Records

No time of day has presumably been set to music more often than the nighttime. On this album violinist Elena Denisova and pianist Alexei Kornienko are featuring nocturnal works of the 20th and 21st century. Canto crepuscolare by Gian Francesco Malipiero, dating from 1908, is still a playful impressionist composition, while the Nocturne for violin and piano by John Cage (1947) rather revels the silence. A calm and melancholic vision is painted by Helmut Rogl’s Ein Traum zur halben Nacht (A Dream at Midnight, 1986), whereas Notturno (2007) by Michael Colina and Incubus, Fantasy for violin, piano and electronics (2020/21) by Alfred Huber depict the eerie and scary traits of nighttime. Like the work by Huber, Durch die Nacht (Through the Night) for violin and pre-recorded electroacoustics by Dieter Kaufmann (2020/21) as well as all the darkness we can hear – all the silence we can see (2020/21) by Oscar Jockel are world-premiere recordings.
Sheryl Crow - Tuesday Night Music Club (1993) 2CD + DVD Deluxe Edition 2009

Sheryl Crow - Tuesday Night Music Club (1993) 2CD + DVD Deluxe Edition 2009
EAC | FLAC | Image (Cue&Log) ~ 542 Mb | 01:35:24 | Scans ~ 100 Mb
DVD5 | NTSC | 4:3 (720x480) VBR | AC3, 2ch, 192 kbps | 00:41:10 | ~ 2.73 Gb
Rock, Adult Alternative Pop/Rock, Country Rock | A&M | # B0013581-00

Deluxe three disc (two CDs + DVD) edition of her 1993 debut album includes a bonus CD of b-sides, rarities and outtakes plus a bonus DVD that contains a documentary featuring on-the-road, backstage, soundcheck and live footage recorded during the Tuesday Night Music Club tour, 1993 -95. Tuesday Night Music Club, the beloved debut album from Sheryl Crow, and has sold more than eight million copies worldwide since its release in 1993. The acclaimed piece of work has yielded six international hit singles and won three Grammys.
Sheryl Crow - Tuesday Night Music Club (1993) [Japanese SHM-CD]

Sheryl Crow - Tuesday Night Music Club (1993)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
2008 | Universal International, UICY-91208 | ~ 297 or 118 Mb | Scans(jpg) -> 8.23 Mb
Pop Rock, Alternative Rock

Sheryl Crow earned her recording contract through hard work, gigging as a backing vocalist for everyone from Don Henley to Michael Jackson before entering the studio with Hugh Padgham to record her debut album. As it turned out, things didn't go entirely as planned. Instead of adhering to her rock & roll roots, the record was a slick set of contemporary pop, relying heavily on ballads. Upon hearing the completed album, Crow convinced A&M not to release the album, choosing to cut a new record with producer Bill Bottrell…