Nik Bartsch Live

Ronin around the world: a powerful and atmospheric concert recording with music captured in Germany, Austria, Holland, England, and Japan, a double-album which transmits the live impact of Nik Bärtsch’s band and its enveloping modular groove music of interlocking rhythms. It’s also a set that marks the end of an era and the transition into a new one. These are the last recordings of Ronin with Björn Meyer’s elegantly-leaping bass guitar as one of the lead voices, and Bärtsch views the album as partly a tribute to Meyer’s long tenure with the band. New bassist Thomy Jordi, meanwhile, makes an impressive entrance on “Modul 55”, but it’s most often the whole band, as a unified field of force, that commands the listener’s attention.

Nik Bärtsch's Ronin - Holon (2008) {ECM 2049}
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© 2008 ECM Records | ECM 2049
Jazz / Modern Creative / Mystical Minimalism / Post Minimalism / Piano

Pianist Nik Bärtsch's Zurich quintet Ronin has released a handful of recordings, but Holon is only the second released in the United States. When Stoa was issued in 2006, it was like this startling blast of air. Was it jazz? Was it minimalist classical music? Was it acoustic techno? Bärtsch calls it "zen funk." OK, fair enough, but in actuality, while it bears traces and borrows elements from all of the aforementioned genres, Ronin is its own animal, its own sound, its own complex yet utterly accessible musical identity or, better, brand. They have toured relentlessly all over the world, and as a result, this quintet is not only well seasoned, but also it has taken the music up the ladder a couple of rungs.

Swiss experimental rock quartet Sonar (whose name is a portmanteau of "sonic" and "architecture") comprise guitarists Stephan Thelen and Bernhard Wagner, bassist Christian Kuntner, and drummer Manuel Pasquinelli. The bandmembers bring an array of talents uniquely suited to creating Sonar's precise and rhythmically complex yet spacious and streamlined post-minimalist sound, harmonically idiosyncratic with the guitars and bass tuned in tritones (an interval given the Latin name diabolus in musica – the devil in music – during medieval times). The California-born Thelen is a strong admirer of the early- to mid-'70s (Starless and Bible Black) and early- to mid-'80s (Discipline) editions of King Crimson, and participated with the Venezuela-born Wagner in Robert Fripp's Guitar Craft seminars in the '90s. Thelen (Sonar's principal composer) also studied classical guitar, and he earned a Ph.D. in mathematics from the University of Zurich.