Nile

Black Seeds of Vengeance is the second album by American technical death metal band Nile. The album was released on September 5, 2000 through Relapse Records. Black Seeds of Vengeance marks the first album in Nile's discography to feature extensive liner notes in the booklet, written by Karl Sanders to explain the concept and themes behind each song. The band also began undertaking an even more complex musical direction from the last album. This is also the first Nile album to feature the vocal and guitar talents of Dallas Toler-Wade, who has performed on all subsequent Nile albums, as well as the first and only appearance of Derek Roddy on a Nile album as a session drummer only. He performs on all tracks except for "To Dream of Ur". Prior to recordings, Pete Hammoura left the band due to injuries sustained while touring.

World-renowned American death metal icons Nile return in 2024 with their highly-anticipated 10th onslaught, The Underworld Awaits Us All. Boasting airtight technicality and unrelenting brutality, the new album pushes each member of Nile - founding mastermind/guitarist Karl Sanders, longtime drum master George Kollias, vocalist/guitarists Brian Kingsland and Zach Jeter, and bassist Dan Vadim Von - to their furthest extremes both in artistry and performance.
Each track soars as a technical tour-de-force - featuring career-defining extreme drumming from Kollias, as well as razor-sharp soloing from all three active guitarists and palpable bass exploration. A perfect example of this equation is pinnacle burner “Under the Curse of the One God”, combining sinister atmospherics with breakneck pacing and whirlwind, vicious riff acrobatics…

If early 2006 is remembered for nothing else, it will go down in history for the two greatest urban Americana albums of the 21st century to date – Dion's Bronx in Blue and Willie Nile's Streets of New York, a swaggering braggart of a disc that is to the modern Apple everything that Lou Reed's New York was 15 years before. The opening "Welcome to My Head" sets the stage, raising the curtain on a fantasy vision of the city nightlife that sums up every dream Broadway and beyond have ever instilled in the mind of the outsider, and set to a crunchy guitar melody that is as real as the streets that stretch out from there. It might be Nile's first album in six years, but it sounds as though he's been planning it his entire life – even the songs that slip outside of the city concept ("Asking Annie Out" is the first) share the crowded, bustling air of the more "relevant" rockers, while "The Day I Saw Bo Diddley in Washington Square" paints the scene so firmly that you'll see him, too. Even more impressively, the backing rarely motors in the directions you'd expect. Fiddles keen and a mandolin pounds, while Nile borrowed his band from as far afield as John Mellencamp and Rosanne Cash.