Nils Lofgren Night

Ex Grin member Lofgren’s 1977 double live album for A&M Records. Lofgren’s stage shows were always a high point and this recording captured the moment well, featuring such favourites as ‘Keith Don’t Go’ and ‘I Came To Dance’. The album charted on both sides of the Atlantic. Up until the Covid lockdowns, Lofgren had been busy gigging and recording. Digitally remastered.

Though not an inspired effort, this double-live album does have its moments. Lofgren's muscular guitar playing is particularly evident on tracks such as "Keith Don't Go" (an ode to Rolling Stone Keith Richards) and "Cry Tough." Lofgren has long been underrated as a guitar player and songwriter, and although this album does not have the dynamic energy that some of his live shows of the '70s had, it does catch the former E Street guitarist playing some fine lead guitar.

Nils Lofgren has a story unlike any other in rock & roll. Something of a teenage rock & roll prodigy, he first made waves when he played on Neil Young's After the Gold Rush at the tender age of 17, just around the time his D.C.-based band Grin relocated to Los Angeles in hopes of hitting the big time. Grin never became stars, but Lofgren did. His association with Young provided a launch pad for a solo career that was acclaimed and fitfully commercially successful, with the late-'70s albums Cry Tough, I Came to Dance, and Night After Night all making waves in album rock…

Spectrum Music, a British division of PolyGram devoted to budget-priced compilations of material from the major label's vaults, is responsible for this CD-length collection drawn from the fourth Grin album, 1973's Gone Crazy (the other three were on Spindizzy and now are owned by Sony), and bandleader Nils Lofgren's first five solo albums: Nils Lofgren (1975), Cry Tough (1976), I Came to Dance (1977), the live Night After Night (1977), and Nils (1979), all of which were released originally on A&M Records. Since no chart singles emerged from these LPs, there isn't any objective criterion for what might constitute the best of them, though a subjective consensus of Grin/Lofgren fans no doubt would agree with the inclusion of the Keith Richards tribute "Keith Don't Go (Ode to the Glimmer Twin)," "Back It Up," and "The Sun Hasn't Set on This Boy Yet," all from Nils Lofgren.

The tenth album from Nils Lofgren and his first for Columbia is a very polished affair with excellent production from Lofgren and Lance Quinn. The material is written by Lofgren, and it is all strong to very strong, with lyrics bordering on lecturing the listener. "Flip Ya Flip," the title track, and "Big Tears Fall" are the most commercial songs here, "Flip Ya Flip" a real odd one, though. Lofgren calls the guys "buddy," telling them to "lift your pretty head, hold it high" and the gals he calls "sister," terms of endearment for sure from a macho figure who has full-fledged membership in the "E Street" gang. Is the title track about an off-color gesture or life on a trampoline or indiscernible sexuality?

Finally available on wide release 32 years after it was a limited-edition, and much coveted, vinyl release sent to 1,000 radio stations and critics (each one with a sticker hand-glued to the cover), this 44-minute live radio station concert is half as long and more than twice as exciting as Nils Lofgren's official live concert souvenir, 1977's disappointing and bloated Night After Night. Al Kooper, who was then doing pre-production on Lofgren's second solo effort, sits in on keyboards and the stripped-down band also featuring Nils' brother Tommy on second guitar and a bassist and drummer keeps the sound lean and mean. There are only seven tracks, with five grabbed from Lofgren's then recently released debut, along with two tunes from Grin, the band he recorded four albums with that also included his brother…

When Nils Lofgren released his first solo album in 1975, most fans were expecting a set confirming his guitar hero status, and more than a few listeners were vocally disappointed with the more laid-back and song-oriented disc Lofgren delivered. However, with the passage of time Nils Lofgren has come to be regarded as an overlooked classic, and with good reason – Lofgren has rarely been in better form on record as a songwriter, vocalist, musician, and bandleader…

"Along the way of the past 55 years, songs holding a wide range of emotional pieces of me wound up getting left behind. Basement demos never recorded, not quite right for the project, various reasons. Now these songs, "Spares," cover decades of writing and circumstance, in various periods of my musical and personal life are here, together to share."