No Doubt’s 2010 installment in Universal’s ongoing Icon series is a retitled reissue of the excellent 2003 compilation The Singles 1992-2003. Spanning 15 tracks, the disc is sequenced like a concert, favoring forward momentum over chronological history, and that's a point in its favor since it shines a spotlight on individual songs, not eras. More than anything, this highlights No Doubt's consistency as a singles band, since the defining breakthrough single, "Just a Girl," is as exciting as both the band's pre-fame "Trapped in a Box" and the sexy neo-electro grind of "Hella Good." It also shows that even if lead singer Gwen Stefani grew increasingly assured and sexier over the years (compare the seductive "Underneath It All" to the breathy, naïve "Don't Speak") and even if she was always rightly the focal point, the band itself is a muscular, versatile, tuneful outfit, rooted in ska revivals like "Spiderwebs" but equally convincing when turning out spiky pop like the glorious "New," the hard-rocking "Sunday Morning" and "Ex-Girlfriend," the sighing ballad "Simple Kind of Life," or the rubbery, reggae-inflected "Hey Baby".
There's simply no sound in the blues as easily digestible, accessible, instantly recognizable, and as easy to play and sing as the music of Jimmy Reed. His best-known songs – "Baby, What You Want Me to Do," "Bright Lights, Big City," "Honest I Do," "You Don't Have to Go," "Going to New York," "Ain't That Lovin' You Baby," and "Big Boss Man" – have become such an integral part of the standard blues repertoire, it's almost as if they have existed forever. Because his style was simple and easily imitated, his songs were accessible to just about everyone from high-school garage bands having a go at it, to Elvis Presley, Charlie Rich, Lou Rawls, Hank Williams, Jr., and the Rolling Stones, making him – in the long run – perhaps the most influential bluesman of all.
A wonderful collection of 144 original hits from the golden decade of the 80's. Almost 10 hours of great music full of rhythm, melody and nostalgia. An endless parade of memories with the greater names of the musical scene.
With the future of the original Alice Cooper band in doubt by mid-1974 (they would soon break up for good with Alice going solo), Warner Bros. decided to issue a best-of compilation entitled Greatest Hits. If you're a newcomer to Alice, this 12-track compilation is a must-hear – all the selections are exceptional. While many have chosen to focus primarily on Cooper's theatrics over the years, the original bandmembers were indeed supreme rock songwriters; such anthems as "I'm Eighteen," "Under My Wheels," "School's Out," and "No More Mr. Nice Guy" are unquestionably among the finest hard rock tracks of all time. And the other selections prove to be just as strong – "Is It My Body," "Desperado," "Be My Lover," "Elected," "Billion Dollar Babies," and "Muscle of Love" are all outstanding as well. The only criticism of the original release is that the collection overlooked the band's key album tracks never issued as singles.
They were originally named 'The Hot Chocolate Band' by Mavis Smith, who worked for the Apple Corps press office. This was quickly shortened to Hot Chocolate by Mickie Most. Hot Chocolate started their recording career making a reggae version of John Lennon's "Give Peace A Chance", but Brown was told he needed permission. He was contacted by Apple Records, discovered that John Lennon liked his version, and the group was subsequently signed to Apple Records. The link was short-lived as The Beatles were starting to break up, and the Apple connection soon ended. In 1970 Hot Chocolate, with the help of record producer Mickie Most, began releasing tracks that became hits, such as "Love is Life", "Emma", "You Could Have Been a Lady", and "I Believe in Love".
With the future of the original Alice Cooper band in doubt by mid-1974 (they would soon break up for good with Alice going solo), Warner Bros. decided to issue a best-of compilation entitled Greatest Hits. If you're a newcomer to Alice, this 12-track compilation is a must-hear – all the selections are exceptional. While many have chosen to focus primarily on Cooper's theatrics over the years, the original bandmembers were indeed supreme rock songwriters; such anthems as "I'm Eighteen," "Under My Wheels," "School's Out," and "No More Mr. Nice Guy" are unquestionably among the finest hard rock tracks of all time.
As compilations go, Universal's two-CD Greatest Hits and More might be the best sampling of Engelbert Humperdinck's work that has yet appeared. All of his best-loved hits are here (including "Release Me," "Les Bicyclettes de Belsize," "Quando Quando Quando," and "There Goes My Everything"), but there are also a few extra tidbits that should keep even longtime fans happy with the program – most notably, four brand new songs.