Nobody 2

Nobody's Business was written and recorded throughout 1988 and had it been released as intended in 1989, Nobody's Business would have been widely known as Andy Taylor's second solo album. Instead, the 1990 covers album Dangerous stole that accolade. In Andy's autobiography only one sullen mention is made of it: "Nobody's Business" — (solo album — unreleased). Limited Collector's Edition 2CD features original 11-track album recording on disc one plus 35 minutes worth of bonus material and a 25 minute Japanese media interview from 1986 on disc two. Presented with a 12-page full color picture booklet outlining the making of Nobody's Business, including an exclusive postcard of Andy Taylor photo by Liz Wuillermin. Previously unavailable and unreleased. All tracks have been carefully remastered from the original archive tapes.

"Nobody Has The Power" is a family project in which Vance Kelly and his daughter Vivian Kelly sings duet on three songs that were written by his wife Camilla Kelly. "Nobody Has The Power" is Vance Kelly's sixth CD with the Wolf Records label. This CD is another successful project which Vance and his Backstreet Blues Band continues to project their talent into songs anywhere from Blues to R&B music.

A mix of early rehearsal tapes and a board tape from an early 1971 live show featuring a rare performance of "The Letter" makes this an official bootleg (band approved) worth adding to the collection after you've scored all the essentials…

Helen Humes had not recorded as a leader in seven years when she made the first of three albums for Contemporary, all of which have been reissued on CD via the OJC imprint. Humes, 45 at the time, was at the peak of her powers, although she never really made a bad record. Accompanied by Benny Carter (on trumpet), trombonist Frank Rosolino, tenor saxophonist Teddy Edwards, pianist Andrew Previn, bassist Leroy Vinnegar, and either Shelly Manne or Mel Lewis on drums, the singer is typically enthusiastic, exuberant, and highly appealing on such numbers as "You Can Depend on Me," "When I Grow Too Old to Dream," and "''Tain't Nobody's Bizness If I Do." She even sings credible versions of "Bill Bailey" and "When the Saints Go Marching In" on this easily recommended CD.

At age 86, British blues godfather John Mayall is still going strong. In 2016 he pruned his touring band to a trio with Mayall acting as his own guitarist and keyboardist. This date finds him returning to the quartet lineup with a host of all-star axe-playing guests including Joe Bonamassa, Larry McCray, Alex Lifeson, Steven Van Zandt, and Todd Rundgren, as well as his newest touring slinger Carolyn Wonderland (the first female to hold that role in one of his bands). He is also accompanied by his working rhythm section of bassist Greg Rzab and drummer Jay Davenport, with Billy Watts on rhythm guitar, and the horn section from Late Night with Conan O’Brien.

Breathless, a band that many Clevelander's consider to be among the quintessential Cleveland rock groups (along with Eric Carmen (Rasberries), Joe Walsh (James Gang) the Michael Stanley Band and others) had brief successes from 1978 to 1981…

It’s a shame if Zayn Malik actually believes Nobody Is Listening, because they should be. Since departing One Direction in 2015, the comparatively low-profile British Pakistani singer has steadily delivered high-concept pop albums that take risks, bare emotions and defy expectations. Mind of Mine transformed fluorescent, Frank Ocean-inspired R&B into a hazy after-hours head trip, and the heavily loaded Icarus Falls made intimate love songs into mythic voyages. Here, on his third solo LP, he finally realises his full potential as a shape-shifting pop auteur, dialling the production way up and fine-tuning his falsetto so that it melts into every bar.

Joanne Shaw Taylor was born and raised in the U.K. and discovered by Dave Stewart (Eurythmics) at the age of 15. Right from the beginning, Joanne's incredible guitar work and distinctive sultry vocals set her apart from the rest. Her latest studio album, Nobody's Fool, was produced by Joe Bonamassa and Josh Smith. It's her most personal album to date. Joanne's writing lays bare love, loss, and the desire to be free of the past through the vessel of catchy hooks and guitar riffs.