Alongside our comprehensive limited and numbered edition of the legendary Claudio Abbado’s complete recordings for DG, Decca and Philips, we are in the process of issuing 16 digital albums covering the same repertoire. The penultimate release in this series of e albums, which are organised in alphabetical order of composer name, features Abbado’s Vivaldi, Wagner & Galas recordings and is available now.
The Donaueschinger Musiktage is an annual music festival, providing a platform for contemporary composers in the eponymous south German town. In 1996 col legno published a 12-CD set with highlights of the (then) 75 years history of the event, complete with an illustrated 125-page booklet. 15 hours of exciting modernist compositions from Stravinsky to Lachenmann. The first of these festivals was held in 1921 but there were interruptions in the Nazi years.
75 Jahre Donaueschinger Musiktage (1921-1996) - this interesting and amazing Box Set offers to meet with the most celebrated masters and composers in the history of music and get acquainted with their creativity.
The Amsterdam-based Schoenberg Ensemble ranks alongside the London Sinfonietta, the Ensemble Modern from Frankfurt and Ensemble Intercontemporain in Paris as one of Europe's most distinguished new-music groups. What began in 1974 when seven student instrumentalists got together with their teacher, Reinbert de Leeuw, to perform Schoenberg's Pierrot Lunaire has steadily diversified. At first, the group concentrated on the music of the Second Viennese School, but gradually its scope expanded: now the Schoenberg Ensemble has a core lineup of 14 musicians and a repertoire that stretches from the beginning of the 20th century to the present day.
The Radio Legacy is a compilation of the seven part Anthology of the Royal Concertgebouw Orchestra, the four box sets devoted to the orchestra s chief conductors Willem Mengelberg, Eduard van Beinum, Bernard Haitink and Riccardo Chailly, and also featuring more recent recordings with Mariss Jansons.
It starts, appropriately enough, with Charles Ives's The Unanswered Question, which seems to hold its breath, and occasionally exhale in brief bursts of panic, as the new century unfolds. It ends with Dmitri Shostakovich's Chamber Symphony Op. 110a (based on his String Quartet No. 8), whose alternating sequences of anguish, alarm, and derision come as close as possible for absolute music to indicting its bloody history - eight CDs and over 30 works later.