Norgard

On Remembering, the Danish cellist Jakob Kullberg continues his collaborations with two of the foremost Nordic composers: Per Nørgård and Kaija Saariaho. Praised internationally for his performances of the modern cello concerto, Kullberg regards the concerto form as the encounter of an individual soloist with the sound world of a composer. With living composers this approach often results in an unusual degree of collaboration, as the works gathered here bear witness to. Since 1999, Kullberg has enjoyed a close and unique partnership with Nørgård which has resulted in a large number of works.

Per Nørgård (b. 1932) is regarded by many as Denmark's greatest living composer, with some of his music being hard edged and difficult to approach. This music on this disc will not suit everyone, it is quite difficult to understand where the composer is going at times, and in the case of the "Plutonian Ode", which is for soprano and solo cello, I found little to like, perhaps it is because the first two sections are for recitation, but I found it just grates with me! This is not to say that there isn't anything to like here, on the contrary, the disc opens with his "Two Recitatives Op. 16" which sets texts by the Swedish poet, playwright and novelist, Pär Fabian Lagerkvist.

This Finlandia disc, which sadly never got a US release and is hard to find there, surveys Per Nørgård's works for strings across a broad span of the Danish composer's output, from the 1950s to the 1990s. All of these express the perennial concerns of Nørgård's work: ambiguity, "infererence" and the development of the tonal tradition. Juha Kangas leads the Ostrobothnian Chamber Orchestra.

The fifth symphony, which I have seen described as enigmatic and the most elusive of this composer's six essays in the medium, is the one that has enabled me to make the breakthrough into his music. It is a remarkable achievement that has absolutely nothing derivative in it that I can hear, so if I mention Gerhard for the convincing juxtaposition of linear ideas and orchestration and Ives for the multilayering of a marvellous orchestral sounds, it is only to underline the stature of this piece.

Per Nørgård has been hailed as the leading Danish contemporary composer and has often been described as eclectic. With this recording, the reasons for that will likely be evident both to listeners who are familiar with this celebrated composer and those who are new to his stylings. Nørgård has written in many genres – chamber music, concertos, operas, and orchestral music, including eight symphonies – and has drawn inspiration from a myriad of sources, such as the symphonies of Sibelius and Vagn Holmboe, jazz, artist Adolf Wölfli, and serialism, even taking the latter to a new level with his "infinity row," which, in turn, inspired numerous composers that followed.

Cellist Wilhelmina Smiths second album release on Ondine continues exploring contemporary Nordic repertoire for solo cello. In her new album Smith has focus on Danish contemporary composers, Per Nørgård (b. 1932) and Poul Ruders (b. 1949). Both Nørgård and Ruders are known for their large-scale orchestral works. Nørgård, in particular, is known for his eight symphonies and has been hailed by many as one of the greatest living symphonists. It is therefore intriguing to look closer to his two very early lyrical solo cello sonatas, early masterpieces written just before completing his 1st Symphony.

Per Nørgård (b. 1932) is one of the most frequently played composers of his generation. He has written more than 400 works in all genres and inspired innumerable colleagues in Denmark and abroad. This album presents all of Nørgård’s music for the Oscarwinning Babette’s Feast film version by Gabriel Axel of Karen Blixen’s short story – not just the snatches of it one can hear in the film. One can also get to know the hypnotic Spell, the ripples and bubbles in Whirl’s World and Trio Breve, which according to the composer himself are to be regarded as three short expressive phrases – dream-like pictures – that change between light and dark, fast and slow but with introvert melodic features in common.