Northern Portrait

There's no lack of glorious melody in Sir Johnin Love, and not just folksong cunningly interwoven. Musically, what comes over strongly, more richly than ever before in this magnificent recording from Richard Hickox, is the way that the writing anticipates later Vaughan Williams, not just the radiant composer of the Fifth Symphony and Serenade to Music, with keychanges of heartstopping beauty, but the composer's darker side, with sharply rhythmic writing.

Various Artists - The Complete Stax & Volt Singles 1959-1968 (1991) {9CD Set Reissued 2016 Digitally Remastered}
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©1959-68, 1991, 2016 Atlantic / ATCO / Rhino / Warner | 081227954666
R&B / Blues / Soul / Doo Wop / Early Pop / Funk / Soul-Blues / Early R&B

9CD reconfiguration of original Atlantic box set, featuring every A-side the label released during those nine years, as well as several B-sides. The set is a definitive portrait of gritty, deep Southern soul. For any serious soul or rock collector, it's an essential set, since Stax-Volt was not only a musically revolutionary label, its roster was deep with talent, which means much of the music on this collection is first-rate. 11 of these singles charted on Billboard.

Dizzie Gillespie - Perceptions (1961) {Verve Elite Edition 314 537 748-2 rel 1997}
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© 1961, 1997 Verve / PolyGram | Verve Elite Edition | 314 537 748-2
Jazz / Large Jazz Orchestra / Modern Arrangement / Trumpet

This unusual session consists of a complex six-movement suite by J.J. Johnson featuring Dizzy Gillespie's trumpet over a brass choir (six trumpets, two trombones, two bass trombones, four French horns and two tubas), bass, drums, percussion and two harps. Often reminiscent of classical music, Johnson's writing allows plenty of room for Gillespie to improvise. The result is a rather unique set of music that is well worth searching for.

The first disc in this two-CD set contains Sardinian composer Cristiano Porqueddu’s first three sonatas for solo guitar, written between 2013 and 2019 and performed here by his compatriot Riccardo D’Alò. ‘Des couleurs sur la toile’, in three movements, pays homage to the painter Gesuino Curreli, the composer’s maternal uncle, who paints landscapes of contemporary Oliena, a town in northern Sardinia. ‘Sonata di Picerno’ – completed in 2015 and dedicated to Italian guitarist Christian Saggese – is a musical portrait of the distinctive town of Picerno in the beautiful Basilicata region of Italy. All three of its movements narrate an entirely fictional leyenda (legend). Sonata No.3, ‘Il rito del fuoco’, is based on an ancient Sardinian legend that tells of Saint Anthony and his pig stealing fire from hell to give to humanity. It is a cyclical composition, which remains anchored in the harmonic and thematic elements introduced in the first section throughout.

Composer Wang Lu’s debut full length recording opens with a sonic portrait of a late afternoon in the life of a Chinese city park, with pre-recorded sounds of conversations layered on top of ephemeral gestures in a mixed instrumentation ensemble. It is the perfect opening of a recording featuring the music by an artist whose ears and mind are always observing the interface between life and music with openness and wonder. Wang Lu is wonderfully adept at painting a scene through sound, using several small gestures that heard together add up to a unique world unto themselves. The ensemble writing that follows in the subsequent movements of Urban Inventory, performed here by the recently formed Third Sound Ensemble, is both virtuosic and also often tongue in cheek, displaying a refreshingly dry sense of humor.

This excellent session (recorded at Half Moon Bay in 1976) features trumpeter Blue Mitchell with four Northern California musicians: the obscure Coltrane-influenced tenor saxophonist Mike Morris, pianist Mark Levine, bassist Kenny Jenkins and drummer Smiley Winters. The repertoire is fresh, consisting of a nearly 17-minute "Pleasure Bent," the warm ballad "Portrait of Jenny," a song called "Sweet Smiley Winters" that is really a "Sweet Georgia Brown" line penned decades earlier by Coleman Hawkins, Levine's "Something Old, Something Blue" and a brief "Blues Theme." Mitchell is heard in prime form throughout the enjoyable straightahead set which contains a few subtle surprises.