Not The Impossible Faith

When Ultra was declared the best Depeche Mode album since Violator, those who said so must have forgotten about Songs of Faith and Devotion. When Exciter was declared the best Depeche Mode album since Violator, those who said so must have also forgotten about Songs of Faith and Devotion, in addition to having found a roundabout way of saying that it was merely better than Ultra. There's no doubt this time: Playing the Angel is both the band's best album since Violator and, more significantly, an album that is near Violator in stature. The biggest clue dropped by the band prior to its release was a quote from Dave Gahan, who said that being in Depeche Mode is better than it has been in 15 years. Some quick math reveals that Gahan was hinting at the Violator era, a time when the band's creativity and popularity peaked synchronously…

"Beautiful Music" used to be a genre in the realm of popular music. It's also been called "easy listening" and then morphed into "adult contemporary". But today's adult contemporary is really just soft rock (albeit today's soft rock is harder than a lot of Top 40 was in the late 70s and early 80s). There used to be stations that played "beautiful music" exclusively: Stanley Black, Ray Conniff, Percy Faith, Frank Chacksfield, etc. Most of the playlist would be recent contemporary hits covered by choral groups, pianists, and orchestras. During that time, London Records sold a lot of their patented Phase 4 Stereo LP records and reel-to-reel tapes. The series was renowned for it's technical brilliance, using state of the art recording, mixing and mastering techniques. Ronnie Aldrich was among London's best selling artists and Tony D'Amato produced many albums using Aldrich's twin pianos backed by The London Festival Orchestra. These albums were not only known for their technical brilliance (which is still quite impressive even in the 21st century) but also for their glossy, gatefold covers featuring colorful artwork and graphics and maybe a sexy model or two. The two LPs featured on this CD were originally released in 1973 and 1972, respectively.

Kerygmatic Project was born in 1998, created by Samuele Tadini, Danilo Nobili and Marco Campagnolo, with the purpose of composing original music that recover in style and construction the great British progressive rock tradition of the seventies and eighties, renewed tradition with a new key able to embrace different styles, so as to constitute an original sound well recognizable. The Kerygmatic Project compositions are affected, in fact, from the contributions of various genres taken by rock, pop, jazz, fusion and classical music compositions, by proposing that, in fact, could hardly be categorized in a precise genre and that are the result a well-defined philosophy.