Now 23 December 2013

Deep Purple have never quite been placed in the revered 1960s canon that includes the Who, Pink Floyd, Led Zeppelin, or any of the other British rock bands who continue to reunite in various configurations to tour and even periodically release new albums, but given that the group has always been a riveting and brilliant live act, part prog, part heavy metal, part funky R&B, and imminently theatrical, that second-tier designation seems like both an oversight and a shame…

earMUSIC will release DEEP PURPLE's "Live In Rome 2013" on December 6. This album takes the audience back to the "Now What?!" tour of 2013 when Ian Gillan, Ian Paice, Roger Glover, Steve Morse and Don Airey celebrated their first album after the passing of former bandmate and good friend Jon Lord. "Live In Rome 2013" captures an energetic and emotional performance by the masters of classic rock, featuring musical highlights of their now-five-decades-spanning career. Once more, DEEP PURPLE prove their extraordinary qualities not only in the studio but also on stage.

Deep Purple have never quite been placed in the revered 1960s canon that includes the Who, Pink Floyd, Led Zeppelin, or any of the other British rock bands who continue to reunite in various configurations to tour and even periodically release new albums, but given that the group has always been a riveting and brilliant live act, part prog, part heavy metal, part funky R&B, and imminently theatrical, that second-tier designation seems like both an oversight and a shame. Returning with this set, the band's first since 2005's Rapture of the Deep, and featuring a near-classic lineup of vocalist Ian Gillan, guitarist Steve Morse, bassist Roger Glover, drummer Ian Paice, and keyboardist Don Airey (Jon Lord, whose distorted organ parts were so much a part of the classic Deep Purple sound, left the band in 2002 and died in 2012 of pancreatic cancer), one can only marvel at how timeless it sounds, as if it were actually recorded in the early '70s and not tracked a little more than a decade into the 21st century…

How I Live Now is the big screen adaptation of the award-winning young adult novel by Meg Rosoff, directed by acclaimed Academy Award winning director Kevin McDonald (The Last King Of Scotland, Marley). The original soundtrack is scored by Jon Hopkins, composer, producer and longterm collaborator of Brian Eno and Coldplay. Featuring some of his darkest, most nihilistic work to date, the score is built from two contrasting elements - atonal, sub-terrestrial drones with a backbone of pounding rhythms, and sublimely pastoral acoustic piano. These two opposing musical forces guide the viewer through the film, by turns disturbing and beautifully meditative. The centrepiece of the score is the track The Hawk, a timeless and heartbreaking theme that recurs throughout the film.

The Who's defining, breakthrough concept album - a full-blown rock opera about a deaf, dumb and blind boy that launched the band to international superstardom, written almost entirely by Pete Townshend is now available as a new LIMITED EDITION Super Deluxe version that that includes 4 audio discs, an 80 page hardback book and a poster…

Nearly two decades after the first volume, the second installment of the Beatles BBC recordings arrives and, like its predecessor, On Air: Live at the BBC, Vol. 2 condenses the Fab Four's voluminous BBC sessions into an easily digestible double-disc of highlights…

Milestone reissue! In 1982 Cassiber (phonetically: ‘a message smuggled out of prison’) crashed like a locomotive into the Deutsche Neue Welle. Founded by Heiner Goebbels, Alfred Harth, Christoph Anders and Chris Cutler, Cassiber managed to fuse materials and attitudes drawn from experimental rock, fringe jazz, punk, pop, plunderphonics, improvisation, close structure and musique concrete with an energetic and complex form of studio (and then concert) composition that was unique in its combination of diverse experimental approaches to form with a risky, emotional and expressive mode of execution…

Robert Wyatt - The End Of An Ear (1970) {2013 Japan Mini LP Blu-spec DSD Remaster SICP 30323}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 268 Mb | MP3 @320 -> 110 Mb
Full Artwork @ 600 dpi (jpg) -> 15 Mb | 5% repair rar
© 1970, 2013 Columbia / Sony Music Japan | SICP 30323
Rock / Art Rock / Experimental / Jazz Rock

Cardboard sleeve reissue features remastering in 2013 and the high-fidelity Blu-spec CD2 format (compatible with standard CD players). Of all the projects Robert Wyatt created apart from his tenure with Soft Machine and Matching Mole, The End of an Ear has to be the strangest, and among the most beautiful and misunderstood recordings of his career. Recorded near the end of his membership in Soft Machine, End of an Ear finds Wyatt experimenting far more with jazz and avant-garde material than in the jazz-rock-structured environment of his band.

Giorgio Gaslini - The Complete Remastered Recordings on Dischi Della Quercia (1976-85) [11CD BoxSet] (2013) {CAM London}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.62 Gb | MP3 @320 -> 1.22 Gb
Full Artwork @ 300 dpi (jpg) -> 47 Mb | 5% repair rar
© 1976-85, 2013 CAM London / CAM Jazz / Dischi Della Quercia | BXS 5001
Jazz / Post Bop / Modern Creative / Piano

Cam Jazz, the company behind the great series of Black Saint/Soul Note reissues, presents the first release in a new line – the complete works by artists on the Italian label Dischi Della Quercia. The inaugural set presents the complete label output from famed Italian pianist Giorgio Gaslini and includes eleven albums that have been unavailable in the US until now. Each is presented in a slipcase with the original album artwork and housed in a sturdy box. Pianist, composer, conductor and music instructor, Gaslini is credited as the mentor of some of the finest contemporary Italian musicians. In addition to his jazz ensembles, Gaslini also composed for theater, television and films and has composed classical symphonies, ballets, operas, and chamber music.