Overton Vertis "O. V." Wright (October 9, 1939 – November 16, 1980) was an American singer who is generally regarded as a blues artist by African-American fans in the Deep South; he is also regarded as one of Southern soul's most authoritative and individual artists. His best known songs include "That's How Strong My Love Is" (1964), "You're Gonna Make Me Cry" (1965), "Nucleus of Soul" (1968), "A Nickel and a Nail" (1971), "I Can't Take It" (1971) and "Ace of Spades" (1971).
O.V. Wright's secular career started off in 1964 with "That's How Strong My Love Is." It was written by Roosevelt Jamison initially responsible for discovering gospel group the Harmony Echoes, which brought forth both Wright and James "Dark End of the Street" Carr. Originally a B-side, it's included on this album as the closing third of a searing medley. And again, Wright's delivery proves to be in the same league as the more famous version by Otis Redding. Nothing much was gained though by Wright's association with the song. Redding's success awakened Backbeat owner Don Robey, who claimed Wright as his "property." Credits to all the artists' later recordings invariably mention a certain "D. Malone." Since it's the same Robey under a false name, it stands as a painful reminder of just how "protective" the label owner was…
Dempsey Wright, who came out of nowhere to record a small label album in the 1970s, has been essentially forgotten for decades. However, on this Andex album (reissued on CD by V.S.O.P.), Wright holds his own with a strong supporting cast (Richie Kamuca on tenor, Victor Feldman doubling on piano and vibes, bassist Ben Tucker and drummer Stan Levey) on six swing-oriented standards and the obscure "Something for Lisa," all given Bill Holman arrangements. Wright had a quiet, appealing tone and a strong bop-based improvising style.
The Memphis-based Goldwax label has a cult following among deep soul fans, especially for its recordings of James Carr. Still, it's fair to say that there aren't a whole lot of people fanatical enough to want a single-by-single retrospective of the company's entire 45 output, as has been produced for a couple of bigger soul labels with much bigger followings, Stax and Motown. Ace Records takes pride in tackling projects for niche collector markets, however, and for those Goldwax aficionados out there, this two-CD, 58-track set will be heartily welcomed. To be technical, some of these were issued on Goldwax subsidiaries, or labels in which Goldwax founder Quinton Claunch was involved before Goldwax started; there are also a couple of Spencer Wiggins 1968 tracks that came out on a collector-targeted bootleg single, though they didn't appear on a Goldwax 45 at the time.
British electronic/new age musician David Wright was born in 1953. He has released numerous records both solo and with the groups Callisto and Code Indigo that display a wide range of influences - he spent his formative years in the Far East. Working primarily in the electronic realm - he founded his own label, AD Music, in 1989 - Wright peppers his impressionistic compositions with rock, jazz, classical, and worldbeat flavors, resulting in an instrumental smorgasbord of diverse moods and colors that has been favorably compared to Kitaro, Mike Oldfield, and Vangelis.
Total Meditation (2011). This CD brings you nearly over an hour some of the most soothing and restful music. Melodies to release any stress and to soothe the body and mind. Glowing health is a reflection of wellness from within and listening to relaxation music has proven to help achieve a sense of harmony and balance that will let you unwind after a stressful day. In this album a delicate tapestry of enchanted melodies and heart-warmingsounds is woven. Perfect for anyone seeking calm and quiet reflection…
Solid Gold Soul: Deep Soul album features 22 intense soul cuts, including Aaron Neville's "Tell It Like It Is," B.B. King's "The Thrill Is Gone," and Otis Redding's "That's How Strong My Love Is."