On Mirror Eye, Psychic Ills go deeper into the drones that made Dins such a breakthrough for the band, making those elongated spaces the heart of the music rather than a setting for it. Significant portions of the album were improvised in the studio, and this might explain why the playing and ebb and flow from song to song feel as organic as they do. Mirror Eye is also remarkably understated, trading most of Psychic Ills' suffocating rock for less obvious ways of exploring their tribal, trippy leanings. That's not to say that the album doesn't have any bold moves – in fact, it opens with one of the band's longest tracks yet, the ten-minutes-and-change "Mantis," which sheds and adds layers of hand drums, sitar-like guitars, phased whispers, and chittering, insectoid electronics.
On his album „Odd Wisdom“, drummer Diego Piñera, together with a stellar cast of musicians, united the groove and vibe ot three different worlds: The percussive variety of his Latin-American origin, the urge for constant renewal of his current home Berlin and the energy of the metropolis New York City where the music was recorded. And with saxophonist Donny McCaslin, guitarist Ben Monder and bassist Scott Colley, three representatives of the top of current US-American jazz join Piñera and form an absorbing exchance of extraordinary enegry, sound, complexity and suspense.
Amidst societal strife and global pandemic, Maynard James Keenan returns with the most personal and human of his three main bands, reviving Puscifer with the group's fourth official full-length, Existential Reckoning. As the title suggests, this time things are more serious than usual and the core trio of Keenan, Carina Round, and Mat Mitchell crafted a politically charged takedown of the state of the world circa 2020. Although Reckoning stands as one of the most subdued – and least sophomoric – Puscifer albums, it swaps out their usual hallmarks in favor of substance and emotion, resulting in their tightest and most thematically focused output to date.