It is believed that the rush hour lounge music falls on the 50-60s. Then it executes unknown bands, but the rooms were great friends. While implementing lounge music could be called any musician who played in a cafe or restaurant to the public. In the 60s there were ensembles, records which are related to Lounge. Among them - the bands of James Last, Bert Kempferta, Paul Mauriat, Herb Alpert. Distinguished as a lounge music and musical design films, because this style of music can rightly be called the background.
42 original albums (+4 EPs and 27 Singles) gathered on 20CDs ‘Jazz From America On Disques Vogue’ reviews the revolutionary passage from the 78 rpm to the Long-Play era. A totally cool little package – one that features 20 different CDs, each done as a different tiny replica of a 10" LP that originally appeared on the Vogue Records label overseas! Vogue was well-known for recording important sessions by American jazzmen in Paris in the early 50s – but this package brings together work that was recorded in America by many of the same artists, and issued by Vogue in unique packages overseas – many of which are replicated here, along with bonus material too! The set features 20 CDs, but includes 40 different albums – as each CD features tracks from original 10" album releases – with full details on tracks, personnel, and other information in the large booklet provided – a great complement to the records by artists who include Stan Getz, Gerry Mulligan, Red Norvo, Lester Young, Mahalia Jackson, Spirit Of Memphis Quartet, Wynonie Harris, Earl Bostic, Charlie Parker, Charlie Christian, Art Tatum, Erroll Garner, Sidney Bechet, Miles Davis, and others!
La Sonate à Kreutzer : une affaire de famille ? Dès sa parution, en 1891, elle a déchaîné les passions, et les réponses littéraires de sa femme et de son fils rassemblées ici révèlent, de manière éclatante, les conséquences profondes de la crise morale et spirituelle de Léon Tolstoï, au cœur même de sa famille. De tous les ouvrages de Tolstoï, La Sonate à Kreutzer est sans doute celui qui dévoile, de la façon la plus remarquable, les paradoxes de son œuvre et de sa personnalité. …
Buck Owens turned Bakersfield, California into the epicenter of hip country music in the mid-'60s. All it took was a remarkable streak of number one singles that steam rolled right through Nashville with their electrified twang, forever changing the notion of what constituted country music and codifying the Bakersfield sound as hard-driving rhythms, trebly Telecasters, and lean arrangements suited for honky tonks, beer joints, and jukeboxes all across America. Half-a-century later, these remain sonic signifiers of Bakersfield, so the term no longer conveys a specific sound, place, and era, a situation the weighty Bear Family box The Bakersfield Sound: Country Music Capital of the West 1940-1974 intends to rectify.