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Following the Quatuor Ébène’s award-winning Beethoven Around the World project.

Two important works dominate volume nine of this series. The first is Bartok's substantial and ambitious late-Romantic Piano Sonata, Op. 19, a very early work, composed when he was around 17 before his studies in Budapest. It was long considered lost and is heard in Goran Filipec's performing edition, prepared from the manuscript.

With her recording of the baroque opera "L'Huomo" - a "Festa teatrale" with a libretto by Margravine Wilhelmine (Frederick the Great's favorite sister) and music by Andrea Bernasconi - Dorothee Oberlinger has once again made a sensational discovery! "

With her recording of the baroque opera "L'Huomo" - a "Festa teatrale" with a libretto by Margravine Wilhelmine (Frederick the Great's favorite sister) and music by Andrea Bernasconi - Dorothee Oberlinger has once again made a sensational discovery! "

Les Baxter's La Femme is an album by French conductor Franck Pourcel and His French Strings. It was released in 1956 on the Capitol label (catalog no. T-10015). Upon its release, Billboard magazine gave the album a rating of 77 and wrote: "'La Femme' might be called a 'pop' symphony, in a dozen movements, dedicated to woman – her eyes, lips, arms, hands, etc. The pieces are reflective of the mysteries of femininity, and the whole attractive opus is the work of Les Baxter

Roberto Prosseda (born 1975) is an Italian classical pianist.

Critically acclaimed duo, violinist Miroslav Hristov and pianist Chih-Long Hu, perform the complete set of Beethoven Sonatas for Violin and Piano over four discs of music!

When Rhino gave an official vinyl release to the legendary Little Feat bootleg Electrif Lycanthrope for a 2021 Record Store Day, fans of the band were—at least as much as fans of any band ever can be—actually satisfied.

The Greek violinist and Italian pianist come together for a selection of Beethoven’s duo sonatas. The BBC Music Magazine review of their joint recording of the entire series described Kavakos’ tone as ‘sweet and full-blooded, never overblown’, and Pace’s contribution as ‘lithe, characterful and sensitive. Both are crucial to the album’s success.'

Alexey Zuev has a very special relationship with Stravinsky’s music. From the age of seven, it entered his musical universe like a premonition, when he unknowingly "composed" a piece that bore astonishing similarities to Petrushka.