Oh Wonder

Pianist-composer Vijay Iyer follows his 2021 ECM disc Uneasy — the first to showcase his trio featuring bassist Linda May Han Oh and drummer Tyshawn Sorey — with Compassion, another album in league with these two gifted partners. The New York Times captured the special qualities of this group, pointing to the trio’s flair for playing “with a lithe range of motion and resplendent clarity… while stoking a kind of writhing internal tension. Crucial to that balance is their ability to connect with each other almost telepathically.”

Pianist-composer Vijay Iyer follows his 2021 ECM disc Uneasy — the first to showcase his trio featuring bassist Linda May Han Oh and drummer Tyshawn Sorey — with Compassion, another album in league with these two gifted partners. The New York Times captured the special qualities of this group, pointing to the trio’s flair for playing “with a lithe range of motion and resplendent clarity… while stoking a kind of writhing internal tension. Crucial to that balance is their ability to connect with each other almost telepathically.”

Singular blues journeyman Lonnie Holley returns, flanked by acolytes Moor Mother, Michael Stipe, Bon Iver, Sharon Van Etten, Rokia Koné, and Jeff Parker for a significant new album.

Somewhere amongst the 80 head-splitting, vibe-chasing, cosmically grimy minutes of the Oh Sees’ 20-somethingth album, one might begin to wonder if chief Oh See John Dwyer will ever run out of steam. More than two decades into the band’s career, they—Dwyer and his rotating cast—still manage to find new wheat to harvest from the fields of Classic American Freakouts, from bite-sized thrash (“Heartworm,” “Gholü”) to multi-part suites of drug-den soul (the 15-minute “Scutum & Scorpius,” the 21-minute “Henchlock”) tailored to weirdos of all hair lengths. Behold a vision in which punk and prog didn’t just coexist, but spawned. Fun? Menacingly. Evil? Studiously.