Oliver Nelson Screamin' The Blues (1960) {2006 Prestige Rudy Van Gelder Remaster}

Posterity remembers Oliver Nelson primarily as an arranger/conductor. When he first began to attract attention with a series of albums for Prestige and its subsidiaries, however, Nelson was hailed as a versatile leader of small groups and a composer/instrumentalist who could refresh the music’s traditional verities while also looking ahead. There is no better showcase for these skills among his initial sessions than "Screamin’ the Blues", a rousing set of funky modernism interpreted by a sextet of players who shared Nelson’s allegiance to both virtuosity and vision.

Posterity remembers Oliver Nelson primarily as an arranger/conductor. When he first began to attract attention with a series of albums for Prestige and its subsidiaries, however, Nelson was hailed as a versatile leader of small groups and a composer/instrumentalist who could refresh the music’s traditional verities while also looking ahead. There is no better showcase for these skills among his initial sessions than "Screamin’ the Blues", a rousing set of funky modernism interpreted by a sextet of players who shared Nelson’s allegiance to both virtuosity and vision.

Posterity remembers Oliver Nelson primarily as an arranger/conductor. When he first began to attract attention with a series of albums for Prestige and its subsidiaries, however, Nelson was hailed as a versatile leader of small groups and a composer/instrumentalist who could refresh the music’s traditional verities while also looking ahead. There is no better showcase for these skills among his initial sessions than "Screamin’ the Blues", a rousing set of funky modernism interpreted by a sextet of players who shared Nelson’s allegiance to both virtuosity and vision.