On Sonny Rollins

Sonny Rollins - Horn Culture (1973) {Milestone-OJC rel 1992}
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© 1973, 1992 Milestone / Fantasy / OJC | 00025218631426
Jazz / Post Bop / Saxophone

Sonny Rollins must have liked hearing Billy Holiday with two of her absolute classic numbers included and a composition he composed himself which has no familarity with Billy Holiday's classic "Loverman" but the title "Love Man" sandwiched in between the two Billy Holiday numbers does make one think. Anyway recorded in 1973 and this album "Horn Culture" is Sonny's second album after his last absence from the Jazz scene in the late sixties and early seventies doing yoga and the Eastern thing but he sure came back vibrant and as usual he played beautifully with this album being no exception.

Sonny Rollins - Sonny, Please (2006) {Doxy Records 0602517086203}
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© 2006 Doxy Records / Universal | 0602517086203
Jazz / Post Bop / Saxophone

Most musicians would at least be considering the idea of retirement by the time they reach their mid-seventies, but most musicians aren't Sonny Rollins. After a five-year recording hiatus, Rollins returned from a Japanese tour and took his band into the studio to cut Sonny, Please. It's the first release on his own Doxy label, coming after a monumental 35-year stay at Milestone that produced some of the most forward-looking, trend-setting jazz ever captured on tape.

Sonny Rollins - The Complete Sonny Rollins RCA Victor Recordings (1997) {6CD RCA-BMG Music 09026-68675-2 rec 1962-1964}
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© 1962-64, 1997 RCA / Victor / BMG Music | 09026-68675-2
Jazz / Bop / Hard Bop / Saxophone

This six-CD set has all of tenor saxophonist Sonny Rollins' recordings for RCA, including the complete contents of The Bridge, What's New, Our Man In Jazz, Sonny Meets Hawk, Now's the Time, and The Standard Sonny Rollins, the three selections originally included in the sampler Three in Jazz, and 11 alternate takes only previously released on the French album Alternates. Less well-known than Rollins' earlier Prestige and Riverside records and slightly later Impulse albums, his output for RCA was recorded right after the great tenor came back from an extended sabbatical.

Blue Note Records has announced an April 26 release of Sonny Rollins A Night at the Village Vanguard: The Complete Masters, a special Tone Poet Vinyl Edition of the legendary saxophonist’s tour-de-force live trio album. The expanded 3-LP set, which can be ordered now on the Blue Note Store, marks the first time Rollins’ complete recorded performances at the Village Vanguard on November 3, 1957 will be made available in a single vinyl package. The collection is also available as a 2-CD set and on all digital formats.

Sonny Rollins - The Standard Sonny Rollins (1964) {RCA Victor–BMG 74321748012 rel 2000}
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© 1964, 2000 RCA Victor / BMG Music | 74321748012
Jazz / Hard Bop / Saxophone

Just as Sonny Rollins maintained his top position along with John Coltrane, Tubby Hayes, Stan Getz, Zoot Sims and Stanley Turrentine, among others, as one of the premier tenor saxophonists of there generation, he had managed to put out yet another successful ‘standard’ album in 1964 which again found him in absolute top format.

Sonny Rollins - On Impulse! & There Will Never Be Another You (1965, 1978) {2011 Impulse! 2-on-1 Remaster}
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Genre: jazz | RAR 5% Rec. | Label: Impulse! / Verve | CAT # 06007 5334723 | 2011

This set combines two of Sonny Rollins' LPs for Impulse Records, There Will Never Be Another You and On Impulse!, both of which were originally issued in 1965. There Will Never Be Another You featured the saxophonist playing a live set (in the rain, apparently) with pianist Tommy Flanagan, bassist Bob Cranshaw, and Billy Higgins and Mickey Roker on drums. Rollins is in fine form, playing standards including a nearly 17-minute version of the title tune.

Sonny Rollins - Holding The Stage - Road Shows, Volume 4 (2016) {Doxy Records 88875192752}
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© 2016 Doxy Records / OKeh / Sony Music | 88875192752
Jazz / Post Bop / Saxophone

The day may come when the well runs dry, but that day is not upon us. The fourth installment of Sonny Rollins' Road Shows series has arrived, bringing more beauties from the archives to light while bearing out that the genius of the Saxophone Colossus is best demonstrated on the stage. That's where the magic has always happened for him, and that's why these offerings have been so well-received. The first three volumes are already considered to be indispensable items in the storied Rollins canon, and this one stands to join them.