On The Nose 2001

Turns On is a collection of early Soft Machine recordings sold in two separate volumes. Turns On, Vol. 1 catches the newly formed group in their first studio recordings and live performances in early to mid-1967, all pre-dating the first LP. The lineup on most of the 16 tracks consists of Robert Wyatt, Mike Ratledge, and Kevin Ayers. Daevid Allen appears on four studio recordings. The repertoire draws a lot from the Wilde Flowers' songbook, Ayers, Hugh Hopper and Brian Hopper having written most of the material (Wyatt and Ratledge were only beginning to submit material). Sound quality goes from poor to very weak, but it is still better than on Turns On, Vol. 2 - while the latter focuses on live material, this one contains more studio demo cuts…

Deben Bhattacharya (1921–2001) was a field recordist, poet, filmmaker, musicologist and amateur ethnomusicologist, based in Calcutta and Paris. Highly influential, it would not be too bold a stretch to say that his work shaped how we listen to the world: he produced a vast number of LPs, CDs, videos and radio shows of traditional music from India, Asia, Africa, the Middle East, and Europe from 1953 until his death in 2001.

Best of Temptations Christmas features the popular Motown group performing a number of Christmas favorites. Most of the favorites are here: "Silver Bells," "The Christmas Song," "White Christmas," "Oh Holy Night," and "Silent Night." There are some playful moments here as well, such as the album-opening "Rudolph the Red-Nosed Reindeer," making this a fun collection. Motown fans should adore this.

Many great jazz artists have recorded, with great success, a live album at the Olympia in Paris while they visited or lived on Paris. Among these greats is Rhoda Scott. Her vast discography on Barclay is more or less still in the master tapes vaults but the "Live At The Olympia" CD, reissued on the Jazz In Paris CD program, is very good pick in the vaults. Supporting Scott playing the Hammond B3, the trio are Joe Thomas on flute/tenor saxophone and Cees Kranenburg on drums. Scott has always had great nose for mixing musical genres and tunes on her records, and "Live At The Olympia" is no exception . The trio treats the standards Bluesette", "I Hear Music", "Wade In The Water", "Equinox" and "People" with great musical inventiveness and interplay - they really tells us a new story on known themes.

When you're 36 years and 17 albums deep into your career, it's a pretty safe assumption that you've achieved veteran status. Likewise, the stumbling block of sticking to what one knows becoming self-plagiarism looms all the more, yet for some reason Jeff Waters' flagship thrash metal enterprise Annihilator repeatedly manages to walk that tightrope with few incidents. With the days of 90s groove metal experimentation now two decades in the rearview, it can be safely stated that this outfit, which has tended to flirt with being a two person project with Waters doing it all minus the drums, is poised to make the 2020s a reprise of the consistent foray of technically-charged speed thrashing mayhem that defined the 2010s, at least insofar are Ballistic, Sadistic, Annihilator's 17th studio LP is concerned…