One, Two, Three (1961

Lightnin' Hopkins is the star of this live recording, made at an August 1961 concert at the Ash Grove in Hollywood featuring Hopkins, Sonny Terry and Brownie McGhee (with Big Joe Williams sitting in on three numbers…

This is one of pianist John Lewis' most rewarding albums outside of his work with the Modern Jazz Quartet. Three numbers (including a remake of "Two Degrees East, Three Degrees West") showcase his piano in a quartet with guitarist Jim Hall, bassist George Duvivier, and drummer Connie Kay. A 15-and-a-half-minute rendition of "Body and Soul" has one of tenor saxophonist Paul Gonsalves' finest solos, while "Afternoon in Paris" features a diverse cast with trumpeter Herb Pomeroy, Gunther Schuller on French horn, tenor man Benny Golson, baritonist Jimmy Giuffre, and guitarist Jim Hall; altoist Eric Dolphy cuts everyone.

The first-ever album from vibist Gary Burton - a very young player at the time of recording, but one who's definitely worth the "new vibe man" promised in the title! The style here is maybe a bit more conventionally swinging than some of Burton's records from later years - a trio setting with Gene Cherico on bass and the great Joe Morello on drums - but both rhythm players are already pretty hip with their timings, and really push Burton into spacious, chromatic territory that's completely sublime - a sound that already marks the musician as really bringing something fresh to his instrument.
A year before New Vibe Man in Town was recorded, Gary Burton joined guitarist Hank Garland for Jazz Winds from a New Direction, which is added as the last six tracks on this CD…

Like two of his other three albums, Tina Brooks' final session as a leader (in March 1961) was sequenced and prepared for release, but remained on the shelves until well after the tenor's tragically early death. That's why the title of The Waiting Game is not only apt, but sadly poignant. Despite Blue Note's reservations at the time, Brooks' output for the label was uniformly strong, demonstrating his skills as a smooth, graceful soloist and a composer of considerable dexterity within the hard bop idiom. Swinging and bluesy, yet sophisticated and refined, The Waiting Game upholds the high standard Brooks set with his previous sessions. Brooks is especially fine on his minor-key compositions, such as "Talkin' About" and "Dhyana," which allow his streak of melancholy romanticism to emerge (as does the lone cover here, the Tony Bennett hit "Stranger in Paradise")…

The first-ever album from vibist Gary Burton - a very young player at the time of recording, but one who's definitely worth the "new vibe man" promised in the title! The style here is maybe a bit more conventionally swinging than some of Burton's records from later years - a trio setting with Gene Cherico on bass and the great Joe Morello on drums - but both rhythm players are already pretty hip with their timings, and really push Burton into spacious, chromatic territory that's completely sublime - a sound that already marks the musician as really bringing something fresh to his instrument.
A year before New Vibe Man in Town was recorded, Gary Burton joined guitarist Hank Garland for Jazz Winds from a New Direction, which is added as the last six tracks on this CD…

This two-fer in Impulse's 2011 reissue series offers trombonist Curtis Fuller's first two releases for the label, both recorded in 1961; they are his 18th and 19th overall. The first, Soul Trombone, recorded in November, is aptly titled and places Fuller as the leader of a stellar band that includes pianist Cedar Walton, trumpeter Freddie Hubbard, tenor saxophonist Jimmy Heath, Granville T. Hogan on drums, and either Jimmy Cobb or Jymie Merritt on bass. Of the six track on the set, three are originals, and they include the stellar hard bop offering "The Clan," the swinging "Newdles," and the breezy "Ladies Night." Two standard ballads here, "In the Wee Small Hours of the Morning," and Stan Getz's arrangement of "Dear Old Stockholm," are also beautifully delivered…