One Great Lie

Returning to solo status after the 2012 Matchbox 20 reunion – this time, the group didn't go on hiatus; they merely took a break while their singer pursued other projects – Rob Thomas decided to broaden his horizons on 2015's The Great Unknown by working with a variety of different producers and collaborators this time around. Still on board in an executive producer role is Matt Serletic (the producer who's worked with Thomas for nearly 20 years), and the singer/songwriter also enlists OneRepublic mastermind Ryan Tedder and Jason Derulo/Jessie J producer Ricky Reed to give him a modern pop life. This new blood is notable on The Great Unknown, which is considerably livelier than 2009's contemplative Cradlesong. He hasn't entirely abandoned power ballads – it's in his blood and it's something he does well, as evidenced by "Paper Dolls" and the spare, piano-anchored closer "Pieces" – and he retains a fondness for surging, insistent anthems, the kind that fill arenas and airwaves with equal ease.

If there’s one thing both an elf and a dwarf could agree on, it’s that a little aesthetic brilliance goes a long way. This is why we’re so thrilled to share that Mondo, in partnership with Amazon Studios and Sparks and Shadows, is releasing a gorgeous limited-edition version of The Lord of the Rings: The Rings of Power‘s season one soundtrack. This 10 CD set is an expansion of Mondo’s previous two CD-version of the soundtrack. While the original soundtrack is also gorgeous, this new collector’s edition takes the epic sounds of The Rings of Power to a whole new level./quote]

The peak of the band's industrial-gone-mainstream fusion, and still one of the best electronic music albums yet recorded, Some Great Reward still sounds great, with the band's ever-evolving musical and production skills matching even more ambitious songwriting from Martin Gore. "People Are People" appears here, but finds itself outclassed by some of Depeche Mode's undisputed classics, most especially the moody, beautiful "Somebody," a Gore-sung piano ballad that mixes its wit and emotion skillfully; "Master and Servant," an amped-up, slamming dance track that conflates sexual and economic politics to sharp effect; and the closing "Blasphemous Rumors," a slow-building anthemic number supporting one of Gore's most cynical lyrics, addressing a suicidal teen who finds God only to die soon afterward…