One Spring Night

This is the "Masterworks Expanded Edition" of Leonard Bernstein's Quadrophonic 1972 London Symphony Orchestra recording of Igor Stravinsky's Le Sacre du printemps. It was Bernstein's second go at the work in the studio, the first being made at the tail end of the mono era in January 1958 with the New York Philharmonic. CBS was very heavily into "Quad," and this justified a second recording of Bernstein in Le Sacre du printemps in order to show off the boom and bang of the new system. Whereas the 1972 Sacre is definitely exciting in spots and is a wildly colorful performance, it is also inconsistent in tempo, orchestral balance, and intonation.

This is the "Masterworks Expanded Edition" of Leonard Bernstein's Quadrophonic 1972 London Symphony Orchestra recording of Igor Stravinsky's Le Sacre du printemps. It was Bernstein's second go at the work in the studio, the first being made at the tail end of the mono era in January 1958 with the New York Philharmonic. CBS was very heavily into "Quad," and this justified a second recording of Bernstein in Le Sacre du printemps in order to show off the boom and bang of the new system. Whereas the 1972 Sacre is definitely exciting in spots and is a wildly colorful performance, it is also inconsistent in tempo, orchestral balance, and intonation.

Manifold Records present Spring Lounge 2018. 30 excellent Chillout tracks and a continuous mix with mixing duties handled by DJ Maretimo.

This is the "Masterworks Expanded Edition" of Leonard Bernstein's Quadrophonic 1972 London Symphony Orchestra recording of Igor Stravinsky's Le Sacre du printemps. It was Bernstein's second go at the work in the studio, the first being made at the tail end of the mono era in January 1958 with the New York Philharmonic. CBS was very heavily into "Quad," and this justified a second recording of Bernstein in Le Sacre du printemps in order to show off the boom and bang of the new system. Whereas the 1972 Sacre is definitely exciting in spots and is a wildly colorful performance, it is also inconsistent in tempo, orchestral balance, and intonation.

Released shortly before their run of hit singles came to a close, 1974's Joy to the World provides a convenient greatest hits package for the casual Three Dog Night fan. It serves as a collection of hit singles rather than a historical overview of the band, and, to that end, it covers most of the necessary ground. There are some glaring omissions of the group's early tracks - their first hit, "Try a Little Tenderness," the Laura Nyro-penned "Eli's Coming," and the Randy Newman-written number one hit "Mama Told Me (Not to Come)" being the most obvious - but anyone who's acutely aware of these absences is most likely going to spring for a more definitive greatest hits album anyway. Joy to the World is a decent compilation for those who prefer the band's later, less soulful work.

Ritchie Blackmore belongs to the most gifted guitarists that rock and metal ever saw to date. Renowned from his days with Deep Purple and Rainbow, Blackmore has created an iconic sound with his guitar that is timeless and a strong element of the success of the mentioned bands…