Abandoning their attempts to record an album with a full five-piece band (the sessions were finally released in 2005), John Fiddler and Peter Hope-Evans returned to basics with an album titled for precisely what it is: a two-man band…
Honus Honus (aka Ryan Kattner) has devoted his career to exploring the uncertainty between life’s extremes: beauty and ugliness, order and chaos. The songs on Dream Hunting in the Valley of the In-Between, Man Man’s first album in over six years and his Sub Pop debut, are as intimate, soulful, and timeless as they are audaciously inventive and daring.
While pianist-arranger-composer Toshiko Akiyoshi headed a fine big band in New York after moving cross-country in 1982, the orchestra that she led in Los Angeles in the 1970s was arguably her greatest accomplishment. The three-CD Mosaic Select set Toshiko Akiyoshi-Lew Tabackin Big Band collects all of the music originally released on the RCA albums Kogun, Long Yellow Road, Tales of a Courtesan, Insights, and March of the Tadpoles. With such major players as Akiyoshi’s husband Lew Tabackin on tenor and flute, trumpeters Bobby Shew and Don Rader, trombonist Britt Woodman and altoist Gary Foster among the many soloists in the all-star band, the orchestra could swing as hard as any of its competitors. In addition to the more boppish pieces, Akiyoshi often wrote works that displayed her Japanese heritage, utilizing Eastern harmonies and instruments along with her husband’s flute. Many of the highpoints of her career are on this perfectly conceived Mosaic release.
This collection of Bechet tracks cut between 1932 and 1941 would be worth owning if for nothing else than the inclusion of his one-man-band recording of "Sheik of Araby," the first known instance of overdubbing with Sidney playing clarinet, tenor sax, piano, bass and drums. But everything on here is fine, spirited New Orleans music, played with verve and wild energy. Kicking off with a wild version of "Maple Leaf Rag" by the New Orleans Feetwarmers, the set moves to include Bechet with Jelly Roll Morton, Tommy Ladnier (excellent versions of "Weary Blues" and Mezz Mezzrow's "Really the Blues"), Dr. Henry Levine's Barefoot Dixieland Philharmonic, and Sidney's later versions of the Feetwarmers.