Only as Good as Your Next One

Chances are that you are in a creative career, or you wouldn’t be here looking at new ideas in psychology for your personal and financial growth. And if you aren’t in a creative career, you ought to be, even if that means that you steer your organized, analytical career in a new, innovative direction. And yet it is so true that in building a life, what men MUST face is that at the end of the day it’s not good enough just to “do work” or “go to work” or “to find your mission as a man.” The mission you find for your life DOES need to pay you back at the very LEAST to the degree of the amount of work you put into it.

In this no-nonsense seminar, Perry Marshall interviews Richard Koch, the man who built his $270 million fortune working ONE hour a day…In the full interview, Richard explains his formula for building a world-class fortune working 1 hour per day

Dear Business Builder: How much money did you earn LAST MONTH from work you finished 5 years ago? No cheating. If it took more than mere minutes for you to collect your harvest, you're still working for your bread. If you wanted to sell your business this year, could you? Would any sane human being want it? Could you hand the new owner the keys and walk away with your bag o' cash? Or would they be dragging you out of bed 2 hours later to come in and fix the next crisis?

It’s an almost hackneyed notion, the general life and times of many bands. The fortuitous debut album that strikes gold, the make-or-break sophomore effort and finally, that much-scrutinized third LP. Dutch art rockers Mister and Mississippi aren’t claiming to be the exception to the rule. Albeit from purely a musical vantage point, the band has – by all means – opted for a new creative trajectory. Third LP ‘Mirage’ employs a darker, heavier undercurrent of synths, bass and drums lurking beneath the group’s well-established sonorous majesty and crisp vocals. There’s a more ominous, acidic punch to the music’s structure, dynamics and growth, marking a radical stylistic shift from the palliative, simmering indie folk prevalent on Mister and Mississippi’s previous two albums.