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Winners of the Lucky Stars National Dance Contest - one woman from each state of the United States - are welcomed to Palm Springs. Palm Springs being the desert playground for the movie stars, the women are introduced to the …

Somewhere Between the Power Lines and Palm Trees is Dogstar's third studio album. Features "Everything Turns Around." First things first: There is no discussing Dogstar without talking about the reason the trio is famous—bassist Keanu Reeves. And there is no dismissing the fact that they traded off his Hollywood fame in the late 1990s; what other band toured and got the chance to open for Bowie at the Palladium (in 1995) despite not having a radio hit or even an American release for three years after that? They were the quintessential "big in Japan" band and broke up after their last 2002 show there. But in March 2023, Dogstar played a Napa, California, music festival and let it be known that they were back—and releasing their first album in 24 years, with producer Dave Trumfio (Wilco, OK Go) at the board. It's solid, cleanly produced and age-appropriate adult-contemporary, but maybe not the most exciting record you've heard this year.

It’s a coming of age album, yes, and an album that aches with self-discovery, self-definition, and self-redefinition: “Nothing is simple just cause you wish that it is.” “I can’t believe I’ll die before becoming a frog.” “Wolfing down Doritos, lickin’ on my fingers, anger on my tongue, Doritos in my anger!” “Wouldn’t we be perfect together if we wanted exactly the same thing?” But ‘Sucker Supreme,’ Tucker’s first album for Epitaph, is also just the right follow-up to where their last album, 2019’s ‘Never Not Never Not Never Not,’ left off: still playfully observed, still sneakily political, still indebted to folk singers of the past – but also much, much bigger, brighter, louder and noisier than anything Tucker has dared before. It delivers mightily on an ambitious M.O.: to be relentlessly catchy and muscular and noisy but also beautiful; be achingly sad and searching, but never too far away from funny, either; and to spotlight Tucker’s empathetic, yearning vocals on top of it all.