Decca has pulled together a blockbuster collection of many of opera's greatest hits from the standard repertoire. The selection is heavily weighted to the nineteenth century, and to Italian operas, but it does indeed offer a generous sampling of what the general public understands as the staples of the repertoire. It includes one Baroque aria, from Handel's Rodelinda, and several from the Classical era - two arias from Gluck's Orfeo ed Eurydice, and seven from Mozart's operas - and the rest range from the bel canto of Rossini to the verismo of Cilea and Puccini. The selection is primarily made up of arias, but includes ensembles, choruses, and orchestral excerpts.
This is where two one-hit-wonders of nineteenth-century Italian opera meet. Mascagni's Cavalleria rusticana was first performed in Rome in 1890 and Leoncavallo Pagliacci in Milan two years later. The subject of the Cavalleria rusticana is based on a then very popular peasant tragedy by Giovanni Verga. Pagliacci draws on the play "La femme de Tabarin" by Catulle Mendès, with the libretto by the composer. Both operas premiered on 29.09.2018 at the Oper Graz with the Grazer Philharmoniker under the direction of Oksana Lyniv.
The Royal Opera is a company based in central London, resident at the Royal Opera House, Covent Garden. Along with the English National Opera, it is one of the two principal opera companies in London. Founded in 1946 as the Covent Garden Opera Company, it was known by that title until 1968. It brought a long annual season and consistent management to a house that had previously hosted short seasons under a series of impresarios. Since its inception, it has shared the Royal Opera House with the dance company now known as The Royal Ballet.
This SIX CD collection of 101 favorite tracks is the perfect introduction to the world of opera, including the worlds most famous and popular tenor and soprano arias, duets and choruses. With a running time of over 7 hours of music this box set provides excellent value for money. This delightful collection includes everyones favorite opera highlights, from the lyricism of Puccinis Nessun dorma! and O mio babbino caro, to the power and might of Verdis Anvil Chorus and Wagners Ride of the Valkyries. Features some of the greatest opera singers of the last 50 years, including Luciano Pavarotti, Dame Joan Sutherland, Jussi Bjorling, Kiri Te Kanawa, Placido Domingo and Renata Tebaldi.
Complete collection of Caruso's performance. the original recording untouched by digital reprocessing makes it even more attractive to me. it makes a great contrast to modern recordings of the contemporary tenors. the modern recording sound so artificial and computer enhanced in comparison - one might as week call them computer generated arias.
Documenting more than a hundred years of Italian operatic music in France, Benjamin Bernheim’s new album Boulevard des Italiens. Music stretching from Spontini’s La Vestale to Mascagni’s Amica – all sung in French – receives gold-star treatment from Bernheim, a tenor ideally placed to sing this repertoire in his native language. As he explains, “The aim was really to show the history of the French language in opera houses in Paris by way of these Italian composers who brought their pieces there. With the Opéra Garnier at one end, and the Opéra-Comique at the other, the Boulevard des Italiens is where it all happened.”