Opus Classic Edition

Legacy’s The Classic Albums Collection 1974-1983 should provide endless hours of arena/prog/AOR-pop bliss for fans of Kansas, as it features ten of the band’s career-defining albums, including an expanded edition of the live album Two for the Show. Each studio album (Kansas, Song for America, Masque, Leftoverture, Point of Know Return, Monolith, Audio Visions, Vinyl Confessions, and Drastic Measures) has been remastered and peppered with bonus cuts, and all of the original album artwork has been lovingly reproduced. Best of all, the box set is priced to move. Kansas is an American rock band that became popular in the 1970s initially on album-oriented rock charts and later with hit singles such as "Carry On Wayward Son" and "Dust in the Wind". The band has produced nine gold albums, three multi-platinum albums (Leftoverture 6x, Point of Know Return 4x, The Best of Kansas 4x), one other platinum studio album (Monolith), one platinum live double album (Two for the Show), and a million-selling single, "Dust in the Wind".

Created during a production between the 10th and 14th December 1969 in the Godorf/Cologne Studio
Based formally on the composition of "Kurzwellen": material is obtained from a regulating system (radio short waves), selected freely by the player and immediately developed. By "developed" is meant: spread, condensed, extended, shortened, differently coloured, more or less articulated, transposed, modulated, multiplied, synchronized.

Stockhausen, from the attached sleeve text

Formed in Buffalo, New York, in 1989, Mercury Rev quickly grew to become leading figures in left field alternative rock. Earlier albums veered towards experimental, off-kilter psychedelia but by the end of the decade, the band had developed their own brand of serene, piano-based Americana with the acclaimed, best-selling LP Deserter’s Songs (1998). ALL IS DREAM, the sequel to Deserter’s Songs, was originally released on V2 in 2001 in August (Europe) and September (North America) and boasted a more expansive, cinematic production than its predecessor (again courtesy of ex-member Dave Fridmann, by this time arguably the most in-demand producer in alternative US rock). The record was warmly received by critics and fans alike, enjoying higher chart positions than its predecessor (No. 11 UK, No. 17 US, Top 40 in Australia and in various European countries, etc.).