Original Album Classics Stanley Clarke

George Duke - Original Album Classics [5CDs] (2010) {Sony}  Music

Posted by tiburon at May 21, 2019
George Duke - Original Album Classics [5CDs] (2010) {Sony}

George Duke - Original Album Classics [5CDs] (2010) {Sony}
EAC 1.0b1 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 600dpi | 1.58GB + 5% Recovery
Genre: Jazz-Funk, Fusion

The Sony/BMG Original Album Classics series brings together 5 CD's of rare and out of print titles with some best sellers from the Sony/BMG Rock catalog. Many of these albums have been unavailable on CD for some time and are sought after by collectors. Each set is presented in a high quality, rigid cardboard slipcase containing five vinyl replica mini LP sleeves. This 5 CD collection of original releases featuring George Duke includes the albums From Me To You, Reach For It, Don't Let Go, Follow The Rainbow, and A Brazilian Love Affair.
Chick Corea & Return To Forever - Light As A Feather (1973) [2016, Japanese SHM-CD]

Chick Corea & Return To Forever - Light As A Feather (1973) [2016, Japanese SHM-CD]
Jazz, Fusion, Latin Jazz| EAC Rip | FLAC, Tracks+CUE+LOG+Scans (JPEG) | 43:01 Min. | 281,97 Mb
Label: Polydor/Universal Music LLC (Japan) | Cat.# UCCU-5766 | Released: 2016-10-26 (1973)

"Light as a Feather" is the second studio album by jazz fusion band Return to Forever led by pianist Chick Corea. The style of the music remains mostly the same as the first album, though vocals were given a larger role. Corea produced the album for Polydor Records. Stanley Clarke played double bass, though for most of his career he has played bass guitar.

Natalie Cole - I'm Ready (Expanded Edition) (1983/2018)  Music

Posted by Pisulik at March 30, 2018
Natalie Cole - I'm Ready (Expanded Edition) (1983/2018)

Natalie Cole - I'm Ready (Expanded Edition) (1983/2018)
WEB FLAC (Tracks) - 399 MB | Cover | MP3 CBR 320 kbps - 132 MB | 00:57:37
Soul, Funk | Label: Epic/Legacy

The original eight-track 1983 album is supplemented by four cuts produced by famed musician Stanley Clarke which remained in the vaults until they were included in a '90s U.S. reissue of the original LP. Following her hit-filled tenure with Capitol Records (1975-1982), Natalie's move to Epic came among personal challenges (outlined in her 2000 memoirs). Nonetheless, 'I'm Ready' saw her reunited with the team of Chuck Jackson & Marvin Yancy who had helmed her '70s string of award-winning best-selling singles and album for five tracks including 'Too Much Mister', a Top US R&B hit. Multi-talented music man Stanley Clarke produced three tracks, co-producing one with a member of Natalie's band, Chuck Bynum.

Roy Buchanan - Guitar On Fire: The Atlantic Sessions (1993)  Music

Posted by v3122 at April 4, 2021
Roy Buchanan -  Guitar On Fire: The Atlantic Sessions (1993)

Roy Buchanan - Guitar On Fire: The Atlantic Sessions (1993)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Rhino Records, R2 71235 | ~ 501 or 191 Mb | Scans Included
Classic Rock / Blues Rock

The 16-tracks on this compilation are from Roy Buchanan's trio of mid-1970s titles: A Street Called Straight (1976), Loading Zone (1977), and You're Not Alone (1978). After a less than personally (or professionally) satisfying stint earlier in the decade with Polydor Records, Buchanan teamed up with Atlantic, who helped him get out of his pending contract with the former…
Ahmad Jamal - The Complete Ahmad Jamal Trio Argo Sessions 1956-62 (2010/2018) [Official Digital Download]

Ahmad Jamal - The Complete Ahmad Jamal Trio Argo Sessions 1956-62 (2010/2018)
FLAC (tracks) 24-bit/44.1 kHz | Time - 567:46 minutes | 5,28 GB
Studio Master, Official Digital Download | Artwork: Front cover

"When I listen to these records now… when I listen to the Pershing, it's phenomenal, I must say. What they were doing, phenomenal, the lines and the purity. It's so pure … It was sheer joy working with these two individuals. Master musicians," writes pianist/bandleader Ahmad Jamal in the liner notes to this collection. If there ever was a subject worthy of a Mosaic box set, Jamal is it. For six decades, he has been, for several reasons, one of the most enduring and identifiable artists in jazz, or, as he prefers to describe it, "American classic music." First, there is his sound: a breathtaking amalgam of Erroll Garner's pithy touch, Nat "King" Cole's intricate horn-like, pre-bop lines, and Art Tatum's Mephistophelean technique.