Emmylou Harris’s groundbreaking album Wrecking Ball reissued April 8 on Nonesuch Records. Produced by Daniel Lanois (U2, Bob Dylan, Neil Young, Willie Nelson), Wrecking Ball won the 1996 Grammy Award for Best Contemporary Folk Album and was highly praised by critics worldwide. The new three-disc set features the remastered original album, a bonus CD of previously unreleased material, and a DVD of the documentary Building the Wrecking Ball, which was directed by Bob Lanois and includes interviews and studio footage of Harris and Lanois as well as special guests Kate and Anna McGarrigle, Neil Young, Steve Earle, Brian Blade, and others.
In November 2018, Jeff Tweedy (singer and guitarist of the legendary band Wilco) released 'WARM' to much critical acclaim. 'WARMER' was recorded during the same studio sessions, and this release features both albums. Tweedy himself comments: 'At some point I separated the songs from the 'WARM/WARMER' session into two records with individual character, but still tried to keep the overall tone and texture of the combined session consistent. In a lot of ways these two records could have been released as a double LP'. Jeffrey Scot Tweedy is an American songwriter, musician, author, and record producer best known as the singer and guitarist of the band Wilco.
This CD is a must have for the Christmas. It is prefect for background music at holiday gatherings.
Back in the 80s when the rules of hip hop came crashing into our teenage heads, some of us took to the microphone, others choose a can of spray of paint, others bought a rolls of lino to practice breakdancing on. For me however, it was DJing. Before I became interested in production or beatmaking, or even directing other musical artists, turntables were my first true love. Hours spent practising, scratching and cutting my first two records together. Those two records are now two of many in my collection. A collection that holds an integral (and imposing) part of my life.
We Are Not Your Kind is the sixth studio album by American heavy metal band Slipknot. Recorded at EastWest Studios in Hollywood, California with co-producer Greg Fidelman (who previously produced the band's 2014 album .5: The Gray Chapter), it was released on August 9, 2019 by Roadrunner Records. The title is taken from a lyric in the song "All Out Life", which was released as a standalone single in 2018 and features as a bonus track on the Japanese edition of the album. We Are Not Your Kind is the first Slipknot album not to feature percussionist Chris Fehn, who was dismissed in March 2019 after suing the group for alleged unpaid royalties.
Back in the 80s when the rules of hip hop came crashing into our teenage heads, some of us took to the microphone, others choose a can of spray of paint, others bought a rolls of lino to practice breakdancing on. For me however, it was DJing. Before I became interested in production or beatmaking, or even directing other musical artists, turntables were my first true love. Hours spent practising, scratching and cutting my first two records together. Those two records are now two of many in my collection. A collection that holds an integral (and imposing) part of my life.
Album for the Young (Album für die Jugend), Op. 68, was composed by Robert Schumann in 1848 for his three daughters. The album consists of a collection of 43 short works. Unlike the Kinderszenen, they are suitable to be played by children or beginners. The second part, starting at Nr. 19 (Kleine Romanze), is marked Für Erwachsenere (For adults; For more grown-up ones) and contains more demanding pieces.
Over the past couple of years while making their new album, Deerhoof have been asking themselves if there was any music they could create that expressed how our rapidly emerging future might actually feel. The band envisioned an album about people haunted by memory of a lost world and of every failed attempt to save it. People already living outside the system, already having practiced new ways of life required for survival - these hopeful heroes are Deerhoof's inspiration. These are the FTCA. Faithful listeners will recognize a certain alienated but transformational figure who shows up in Deerhoof songs going back to their earliest days.