Osborne Vinyl

The massive 70's Dub LP from King Tubby. With Sly & Robbie, Santa Davis, Tommy McCook, to name but a few. Rhythm Tracks by Bunny 'Striker' Lee. Great Stuff!

The universal critical plaudits which greeted Steven Osborne’s recording of the Rachmaninov Preludes are certain to be repeated even more enthusiastically on the release of this version of the wonderful Études-tableaux.

"Bring It On Home" is Osborne's first album of hand-picked vintage blues and soul songs, a collection that fans have long been asking for and Osborne herself delighted in making.

Brothers Osborne are set to release their third studio album, Skeletons, on October 9th. They are 2x CMA Award winners for Vocal Duo Of The Year and winners for the 2018 ACM New Artist of the Year.

Steven Osborne has repeatedly proved himself a Beethovenian of profound insight. In these three late sonatas—including the monumental ‘Hammerklavier’—he gives performances of stunning impact and lasting fulfilment.

LPO Principal Conductor Edward Gardner loves the music of Michael Tippett, he says, because of it's 'otherworldly, luminous and elemental' qualities, which 'strike right from his inspiration to a listener's heart.

A tumbling, roaring, affectionate salute to the swing age and contemporary experimentation… Here there is wit and originality and cacophonous concord distilled at a strength which few American bands…could possibly equal.

Brothers Osborne have delivered what Rolling Stone describes as “a nice balance of rough and smooth” on their new, self-titled, fourth studio album, newly available on EMI Records Nashville. The new set is the brothers’ first with producer Mike Elizondo (Keith Urban, Turnstile, Fiona Apple, Sheryl Crow) after three albums with Jay Joyce, the studio presence who John and TJ say “helped make us what we are today.” For the new project, the duo gave Elizondo the freedom to curate his own band of studio musicians, including Paul McCartney’s drummer Abe Laboriel Jr.

LPO Principal Conductor Edward Gardner loves the music of Michael Tippett, he says, because of it's 'otherworldly, luminous and elemental' qualities, which 'strike right from his inspiration to a listener's heart.

A programme which bridges Debussy’s first work for piano (the Danse bohémienne, from 1880) and his last (Les soirs illuminés par l’ardeur du charbon, from 1917). Steven Osborne is equally responsive to the very different musical moods of both.