Oscar Peterson - Remastered Anniversary Edition: Reissue of the nine celebrated MPS studio albums, recorded in Germany in the 1970s. Accompanying Oscar Peterson's 80th birthday on August 15, 2005. For the first time reissued with original cover artwork and original liner notes. Featuring new liner notes by Dr. Richard Palmer, co-author of the Oscar Peterson autobiography My Jazz Odyssey. New 192kHz/24-bit remastering, supervised by original album producer Hans Georg Brunner-Schwer.
Pianist Oscar Peterson is frequently astounding on this solo set. After nearly 20 years of mostly performing with trios, Peterson sounds quite liberated in this setting, throwing in some hot stride, unexpected changes in tempos and keys, and surprises whenever he thinks of them. "Give Me the Simple Life," "Honeysuckle Rose," and the ironically titled "A Little Jazz Exercise" are quite remarkable, yet Peterson also leaves space for some sensitive ballads.
This date followed Calvin Keys' first, Shawn Neeq, by about two years. Hazy, psychedelic, post-bop is the order of the day here as well, but as most soul-jazz collectors will tell you, there's always a chance for some monster funk on a Black Jazz record so, as predictable as these releases may be on the surface, you never really know until you hear them. In this case, the bomb drops at the beginning of Side Two with "Aunt Lovely." While probably a little too 'out there' for most dance floors, "Aunt Lovely" begins like some of the best funky Grant Green of the era. As the track progresses, though, it gets more than a little hectic – especially during Charles Owens' Pharoah Sanders-esque soprano solo. Kirk Lightsey's overdriven and distorted electric piano only serves to add to this tension later.
At the height of his popularity, pianist Oscar Levant was the highest-paid concert artist in America. He outdrew Horowitz and Rubinstein, with whom he shared the distinction of a star on the Hollywood Walk of Fame. He performed under conductors including Toscanini, Beecham, Mitropoulos, Reiner and Ormandy, and was the definitive interpreter of his friend George Gershwin. Levant's 1945 recording of Rhapsody in Blue remained one of Columbia Records' best-selling albums for decades. That classic interpretation and all his other recordings for the label, spanning the years 1942 to 1958, have now been collected in this set: painstakingly restored and remastered from the original analogue discs and tapes, the vast majority of them are appearing for the first time ever on CD.
Although Ramsey Lewis gained his initial fame as a jazz pianist, many of his records (including this one) are really more in the R&B field. The soul vocals, acid jazz rhythms and tinkling piano result in superior background music and there are some good moments (such as Grover Washington, Jr.'s soprano on "Sun Goddess 2000") but Ramsey Lewis is capable of much better. A strictly commercial effort that succeeds more as dance music than as creative jazz.
To me, what Peterson did with the clavichord is brilliant. At times it sounds like a funky fretted instrument, maybe a mandolin. It's neither harpsichord nor piano. Historically, clavichord predates both. By pressing the keys harder, the player can actually bend strings like a blues guitarist. But clavichord is not a loud instrument– even an acoustic guitar can overpower it. Oscar Peterson and Joe Pass are, of course, masters. The playing is top notch (the album was recorded in a single studio session). Harmonically they don't take Gershwin anyplace he hasn't been before, but their assured feel combined with the novel acoustic blend make this album a constant delight.
In this magnificent collection presented melodies performed by these masters of jazz piano: Scott Joplin, James P. Johnson, Eubie Blake, Mandy Randolph, Duke Ellington, Art Tatum, Joe Sullivan, Teddy Wilson, Count Basie, Oscar Peterson, Thelonious Monk, Nat King Cole and many, many others …
A wonderful collector's edition of jazz pianists' records in almost all styles from the first ragtimes to modern jazz.