Award-winning electro-pop duo from Australia, containing members of the Sleepy Jackson and Pnau.
Best known for their hit single "Walking on a Dream," Australia's larger-than-life electro-glam-pop duo Empire of the Sun feature the Sleepy Jackson's Luke Steele and Pnau's Nick Littlemore. Steele had previously worked with Pnau on "With You Forever," a track from the band's 2007 self-titled third album, and the pair enjoyed collaborating so much that they started their own project, drawing inspiration from the likes of Phoenix and Daft Punk. In fall 2008, Empire of the Sun released their debut album, Walking on a Dream, which the musicians described as "a spiritual road movie." Featuring songs co-written by Pnau's other half, Peter Mayes, the album went platinum in Australia and the title track became a hit single across the globe…
Just three weeks after the U.S. release of the Beatles' swan song, Abbey Road, Creed Taylor ushered George Benson into the studio to begin a remarkably successful pop-jazz translation of the record (complete with a parody of the famous cover, showing Benson with guitar crossing an Eastern urban street). It is a lyrical album, with a hint of the mystery and a lot of the cohesive concept of the Beatles' original despite the scrambled order of the tunes.
The Grateful Dead‘s second album, 1968’s Anthem of the Sun, will be reissued as a 50th anniversary deluxe edition in July.
As the second long-player by the Grateful Dead, Anthem of the Sun (1968) pushed the limits of both the music as well as the medium. General dissatisfaction with their self-titled debut necessitated the search for a methodology to seamlessly juxtapose the more inspired segments of their live performances with the necessary conventions of a single LP. Since issuing their first album, the Dead welcomed lyricist Robert Hunter into the fold – freeing the performing members to focus on the execution and taking the music to the next level. Another addition was second percussionist Mickey Hart, whose methodical timekeeping would become a staple in the Dead's ability to stop on the proverbial rhythmic dime.
Just three weeks after the U.S. release of the Beatles' swan song, Abbey Road, Creed Taylor ushered George Benson into the studio to begin a remarkably successful pop-jazz translation of the record (complete with a parody of the famous cover, showing Benson with guitar crossing an Eastern urban street). It is a lyrical album, with a hint of the mystery and a lot of the cohesive concept of the Beatles' original despite the scrambled order of the tunes. Benson is given some room to stretch out on guitar, sometimes in a bluesy groove, and there are more samples of his honeyed vocals than ever before (oddly, his voice would not be heard again by record-buyers until he signed with Warner Bros.). Don Sebesky's arrangements roam freely from baroque strings to a full-throated big band, and Freddie Hubbard, Sonny Fortune, and Hubert Laws get some worthy solo space…
Gothic and industrial superstars bring a whole new level of psychedelic spookiness to the songs of Pink Floyd, featuring performances by Nik Turner (of Hawkwind), Chrome, Psychic TV, Spahn Ranch and more!