Otis Redding The King of Soul [4cd Box Set] (2014)

It was never supposed to be like this: "(Sittin' on) The Dock of the Bay" was supposed to mark a beginning of a new phase in Otis Redding's career, not an ending. Producer/guitarist Steve Cropper had a difficult task to perform in pulling together this album, the first of several posthumous releases issued by Stax/Volt in the wake of Otis Redding's death. What could have been a cash-in effort or a grim memorial album instead became a vivid, exciting presentation of some key aspects of the talent that was lost when Redding died. Dock of the Bay is, indeed, a mixed bag of singles and B-sides going back to July of 1965, one hit duet with Carla Thomas, and a pair of previously unissued tracks from 1966 and 1967, respectively…

Stunning limited edition box set by this great Swiss neo prog band. Box set includes all 4 studio CD's that are remastered with bonus tracks, booklet with biography and photos as well as an autographed certificate of authenticity. Hand-numbered edition of 1,000.
Many aspects feature in their beautiful music, mainly the outstanding voice of Aluisio Magini, which fits perfectly on top of a well structured instrumentation. Although this band continues the path signed by IQ or Pendragon, they do it in a more bombastic and powerful way, keeping the sense of melody and beauty at the same time. Listener won't find tons of originality, but this album guarantees an excellent hour, specially to neo-prog fans.

Spread over four discs, this set contains every released recording the Yardbirds made under the leadership of their manager Giorgio Gomelsky from 1963 to 1966…

The Very Best of Otis Redding wasn't the first Otis Redding compilation but it is the best of the single-disc collections, distilling the high points across his career (up thru the posthumous hits "(Sitting' On) The Dock of the Bay" and the heartbreaking "I've Got Dreams to Remember") in 16 tracks, every one a musical milestone and a soul music high-point of one kind or another. Although aimed at the casual listener and the neophyte fan, there are some astonishing realizations to be had in listening to this disc and looking at the chart placements of the early sides, and realizing just how uniform his musical influence is - "These Arms of Mine" and, especially, "Pain In My Heart," from 1962 and 1963, respectively, sold only a fraction of what his later singles did, yet they've been covered by so many artists since, that they're as familiar as any of the other, bigger hits on this disc. The collection is hardly comprehensive, but all of the major bases are touched, right down to his 1967 hit duet "Tramp" with Carla Thomas.

With its varying short-lived phases, King Crimson is well suited to the box set treatment, and overall, Frame by Frame: The Essential King Crimson doesn't disappoint. At four discs, it's perhaps a little hefty to serve as a comprehensive introduction for newcomers, even though it could work very well in that context; in the end, the box is more of a close-to-definitive package for fans who fall somewhere in between the realms of casual and devoted. The first three discs do an excellent job of summarizing King Crimson's extremely distinct prime-period lineups: the first disc concentrates on the often jazzy symphonic rock of 1969-1971 (including almost the entirety of In the Court of the Crimson King), the second covers the heavy, experimental soundscapes of 1973-1974, and the third features the off-kilter, new wave-influenced prog pop of 1981-1984. The fourth disc is a career-spanning sampler of live Crimson, and although the varying sound quality and musical styles make it a less cohesive listen than the other discs, it does give an excellent idea of the various lineups' extraordinary performing range.

Bossa Nova translated as the "new beat" or "the new style", grew out of Rio De Janeiro in 1958. The instigators were a handful of artists with a desire to break from tradition, developing the samba rhythms with the influence of cool American jazz to find a music with such a warm soul and natural rhythm that no-one can help but tap and sway to its beat. Bossa Nova is palm trees swaying, it is like melting sugar in hot coffee, it is the setting sun and warm sand underfoot. It is the sound and beat of Brazil, it is one of the world's coolest musical styles and it remains to this day one of the world's great musical treasures.