Ouvertüre Bach

Alexis Weissenberg - Johann Sebastian Bach (2000)  Music

Posted by luckburz at Aug. 7, 2013
Alexis Weissenberg - Johann Sebastian Bach (2000)

Alexis Weissenberg - Johann Sebastian Bach
EAC+LOG+CUE | 3xFLAC: 1,06 GB | Full Artwork | 5% Recovery Info
Label/Cat#: EMI # 7243 5 74144 2 5 | Country/Year: Europe 2000
Genre: Classical | Style: Baroque

Alexis Weissenberg (July 26, 1929 – January 8, 2012) was a Bulgarian-born French pianist.
Aurèle Nicolet - Ouvertüre Nr. 2 In H-moll, BWV 1067 - Ouvertüre Nr. 3 In D-dur, BWV 1068 (2023) [24/88]

Aurèle Nicolet - Ouvertüre Nr. 2 In H-moll, BWV 1067 - Ouvertüre Nr. 3 In D-dur, BWV 1068 (2023) [24/88]
FLAC (tracks) 24-bit/88.2 kHz | Front Cover | Time - 46:36 minutes | 981 MB
Classical | Studio Master, Official Digital Download

The Munich Bach Orchestra under the direction of Karl Richter plays Bach's Overtures No. 2 in B minor BWV 1067 & No. 3 in D major BWV 1068.
Matteo Pasqualini - Johann Sebastian Bach: Italienisches Konzert, Französische Ouverture, Vier Duette (2024) [24/96]

Matteo Pasqualini - Johann Sebastian Bach: Italienisches Konzert, Französische Ouverture, Vier Duette (2024)
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 77:33 minutes | 1,59 GB
Classical | Label: Da Vinci Classics, Official Digital Download

Johann Sebastian Bach is one of the most prolific composers in the history of music – also literally, with his twenty children, but mainly in terms of his exceptional output. In spite of this, those of his works which appeared in print during his lifetime are less numerous than the proverbial tip of the iceberg. This does not imply that his music did not circulate: indeed, at his time, the favourite means of dissemination of musical works was through manuscript copies. Printing was reserved for works which were considered as particularly meaningful, and which represented the composer at his or her best; for works which had, therefore, also a “promotional” dimension, and which could foster the composer’s career by obtaining him or her fame, reputation, and possibly also a prestigious post.
Matteo Pasqualini - Johann Sebastian Bach: Italienisches Konzert, Französische Ouverture, Vier Duette (2024)

Matteo Pasqualini - Johann Sebastian Bach: Italienisches Konzert, Französische Ouverture, Vier Duette (2024)
WEB FLAC (tracks) - 508 Mb | MP3 CBR 320 kbps - 180 Mb | 01:17:33
Classical | Label: Da Vinci Classics

Johann Sebastian Bach is one of the most prolific composers in the history of music – also literally, with his twenty children, but mainly in terms of his exceptional output. In spite of this, those of his works which appeared in print during his lifetime are less numerous than the proverbial tip of the iceberg. This does not imply that his music did not circulate: indeed, at his time, the favourite means of dissemination of musical works was through manuscript copies. Printing was reserved for works which were considered as particularly meaningful, and which represented the composer at his or her best; for works which had, therefore, also a “promotional” dimension, and which could foster the composer’s career by obtaining him or her fame, reputation, and possibly also a prestigious post.
Matteo Pasqualini - Johann Sebastian Bach: Italienisches Konzert, Französische Ouverture, Vier Duette (2024) [24/96]

Matteo Pasqualini - Johann Sebastian Bach: Italienisches Konzert, Französische Ouverture, Vier Duette (2024)
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 77:33 minutes | 1,59 GB
Classical | Label: Da Vinci Classics, Official Digital Download

Johann Sebastian Bach is one of the most prolific composers in the history of music – also literally, with his twenty children, but mainly in terms of his exceptional output. In spite of this, those of his works which appeared in print during his lifetime are less numerous than the proverbial tip of the iceberg. This does not imply that his music did not circulate: indeed, at his time, the favourite means of dissemination of musical works was through manuscript copies. Printing was reserved for works which were considered as particularly meaningful, and which represented the composer at his or her best; for works which had, therefore, also a “promotional” dimension, and which could foster the composer’s career by obtaining him or her fame, reputation, and possibly also a prestigious post.
Matteo Pasqualini - Johann Sebastian Bach: Italienisches Konzert, Französische Ouverture, Vier Duette (2024)

Matteo Pasqualini - Johann Sebastian Bach: Italienisches Konzert, Französische Ouverture, Vier Duette (2024)
WEB FLAC (tracks) - 508 Mb | MP3 CBR 320 kbps - 180 Mb | 01:17:33
Classical | Label: Da Vinci Classics

Johann Sebastian Bach is one of the most prolific composers in the history of music – also literally, with his twenty children, but mainly in terms of his exceptional output. In spite of this, those of his works which appeared in print during his lifetime are less numerous than the proverbial tip of the iceberg. This does not imply that his music did not circulate: indeed, at his time, the favourite means of dissemination of musical works was through manuscript copies. Printing was reserved for works which were considered as particularly meaningful, and which represented the composer at his or her best; for works which had, therefore, also a “promotional” dimension, and which could foster the composer’s career by obtaining him or her fame, reputation, and possibly also a prestigious post.
Johann Sebastian Bach ~ Best of Bach (12CD Set) (2006) [Incl. Bonus material]

Johann Sebastian Bach ~ Best of Bach (12CD Set) (2006)
Classical | Easy CD-DA / Flac & Cue, No Log | Covers included | 5 % recovery | 4,5 GB | RS.com
Audio CD: November 6, 2006 | Label: Warner Classics

Warner Classics presents Best of Bach, a spirited selection of works by Bach, both choral and instrumental, performed by some of Warner Classics's most highly acclaimed artists…
amazon.co.uk
Rinaldo Alessandrini, Concerto Italiano - Bach: Ouvertures for Orchestra (2019)

Rinaldo Alessandrini, Concerto Italiano - Bach: Ouvertures for Orchestra (2019)
FLAC tracks +booklet | 02:10:15 | 735 Mb
Genre: Classical / Label: naïve classique

For several decades, as solo harpsichordist and director of his ensemble Concerto Italiano, Rinaldo Alessandrini has been exploring not just the Italian repertoire that he is so passionate about but also the works of Bach - as in his benchmark recording of the Brandenburg Concertos in 2005. In this new recording, Alessandrini has mounted a challenge to all currently available recordings of those four Orchestral Suites that Bach called ‘Overtures’, after their imposing opening movements. It’s uncertain when these dance suites were composed or where they were first performed but they were certainly played in Leipzig at the time Bach was directing its celebrated Collegium Musicum.
L'Achéron & Francois Joubert-Caillet - Johann Bernhard Bach: Ouvertures (2016)

L'Achéron & Francois Joubert-Caillet - Johann Bernhard Bach: Ouvertures
Classical, Chamber Music, Orchestral | WEB FLAC (tracks) & d. booklet | 76:44 min | 389 MB
Label: Ricercar | Tracks: 29 | Rls.date: 2016

Johann Bernhard Bach (1676-1749) is a somewhat ill-known member of the family, but known by his first cousin once removed, Johann Sebastian. A disciple of Pachelbel, he was in the service of the court of Eisenach and left us only instrumental music. His four Ouvertures for orchestra constitute the obvious link between French music of the Grand Siècle and the compositions that Johann Sebastian would write in Weimar and Cöthen. A missing link to be (re) discovered.
Jordi Savall - Johann Sebastian Bach: Les Quatre Ouvertures (2012) [Official Digital Download 24/88]

Jordi Savall - Johann Sebastian Bach: Les Quatre Ouvertures (2012)
FLAC (tracks) 24-bit/88.2 kHz | Time - 01:45:14 | 1.78 GB
Studio Master, Official Digital Download | Artwork: Front cover+digital booklet

There’s very little to say about this recording save throwing yet more encomiums Jordi Savall’s way: as with his other Bach recordings, this is a success. The warmly dark, coppery sound for which these forces are renowned is here in its full glory; Savall’s pacing is neither frenzied nor laborious; the audio clarity is stunning. Because Savall is such a renowned gamba player who has recruited great fellow string players to his projects (note one Fabio Biondi on violin), you might overlook stellar playing elsewhere in the ensemble. But there’s no way to ignore the wind section in the opening movement in the first suite: the exquisite phrasing and pitch-perfect tones demand to be heard (and heard repeatedly, at that), and the masterful playing becomes even more delightfully apparent in the extended oboe and bassoon solo in the same suite’s Bourée.