Owned Phoenix

Chaos Group has released Phoenix FD 3.14.00, the latest update to its fluid simulation software for 3ds Max, making it possible to instance fluid systems within a scene.

From that blues bar you haven’t visited yet to the desert hike you keep meaning to plan, experience something new right here at home with Moon 52 Things to Do in Phoenix & Tucson.

Chaos Group has unveiled Phoenix FD 3.0.500 for Maya 2018, is a powerful tool for fluid simulations. Aimed to meet the needs of VFX artist to simulate fire, smoke, explosions as well as liquids, foam and splashes, it has now become universal simulation software for every production house.

Chaos Group has unveiled Phoenix FD 3.11.00 for Maya 2018, is a powerful tool for fluid simulations. Aimed to meet the needs of VFX artist to simulate fire, smoke, explosions as well as liquids, foam and splashes, it has now become universal simulation software for every production house.

The Chaos Group team is pleased to announce the availability of V-Ray Next, Update 3 (Build 4.30.00) for Autodesk 3ds Max, the next update to the 3ds Max edition of the production renderer, adding support for hardware-accelerated ray tracing on Nvidia RTX graphics cards.

The Chaos Group team is pleased to announce the availability of V-Ray Next 4.20.00 for Autodesk 3ds Max. The long-awaited major update to its production renderer, following five months in public beta. New ‘Scene Intelligence’ features, new V-Ray GPU rendering architecture, overall speed boosts.

The Chaos Group team is pleased to announce the availability of V-Ray Next 4.20.01 for Autodesk 3ds Max. The long-awaited major update to its production renderer, following five months in public beta. New ‘Scene Intelligence’ features, new V-Ray GPU rendering architecture, overall speed boosts.

The 101 Strings Orchestra established a reputation as one of the finest ensembles in the easy listening genre. Yet the group actually never existed as a performing orchestra: it was a recording-only ensemble made up of musicians whose personnel often changed from one recording to the next. Moreover, many early albums released under the name 101 Strings were actually reissues of recordings made by such groups as the Rio Carnival Orchestra, New World Orchestra, and others. Under its now-familiar name, more than 100 recordings were issued by two labels – both of which owned the name, hired the players in the ensemble, and, most importantly, provided for the music arrangements that have been crucial to maintaining the orchestra's familiar sound – a dreamy, silken sound not dissimilar to that of Mantovani.