Yes' debut album is surprisingly strong, given the inexperience of all those involved at the time. In an era when psychedelic meanderings were the order of the day, Yes delivered a surprisingly focused and exciting record that covered lots of bases (perhaps too many) in presenting their sound. The album opens boldly, with the fervor of a metal band of the era playing full tilt on "Beyond and Before," but it is with the second number, a cover of the Byrds' "I See You," that they show some of their real range.
"One" is the debut full-length studio album by UK progressive rock act Cirkus. Formed from the ashes of bands Moonhead and Lucas Tyson, the group's high standard of musicianship was well known in their native north-east where they attracted much attention and had a devoted following. It was felt that the quintet could achieve success on a national scale, provided management handled matters properly and they got the right breaks. In 1973 they recorded their debut album "Cirkus One" at Sound Associates/Emison & Air Studios and just 1000 copies were pressed up.
Yes' debut album is surprisingly strong, given the inexperience of all those involved at the time. In an era when psychedelic meanderings were the order of the day, Yes delivered a surprisingly focused and exciting record that covered lots of bases (perhaps too many) in presenting their sound. The album opens boldly, with the fervor of a metal band of the era playing full tilt on "Beyond and Before," but it is with the second number, a cover of the Byrds' "I See You," that they show some of their real range.
Don't Stop The Music is the debut album released by Supermax, released in 1976. Supermax was a project of Austrian musician and producer, Kurt Hauenstein, best known for "Lovemachine", a 1977 German #4 single, that peaked at #6 in Switzerland, #9 in Austria and #96 in US. The first members of the band were Kurt Hauenstein (Mini Moog, vocals), Hans Ochs (guitar), Ken Taylor (bass guitar), Lothar Krell (keyboards), Peter Koch (percussion), Jürgen Zöller (drums) and the singers Cee Cee Cobb and Jean Graham. After Ken Taylor left the band in 1979, Kurt Hauenstein returned to his origin music instrument, the bass guitar.
my bloody valentine, the quartet of Bilinda Butcher, Kevin Shields, Deb Googe and Colm Ó Cíosóig, are widely revered as one of the most ground-breaking and influential groups of the past forty years. During an era in which guitar bands denoted, at best, a retro-classicism, not only did my bloody valentine sound unlike any of their contemporaries, the band achieved the rare feat of sounding like the future.
Plains Music is an album released in 1991 by Manfred Mann's Plain Music, which was a project initiated by Manfred Mann after he retired his Earth Band in the late 1980s. "This album is called Plains Music, as it consists mainly of the melodies of the North American Plains Indians. We do not pretend that it is in any sense representative of the original ethnic music which was its source material. I tried to make a simple album of plain music, using as few notes as possible and keeping the tracks short and to the point." Mann recorded some of the album in his homeland, which he had been exiled from for nearly three decades because of his opposition to apartheid. The album was initially released in 1991 and was re-mastered digitally with three additional tracks in 1998.
No Smoke Without Fire is the ninth studio album by rock band Wishbone Ash. It is the first album since 1972's Argus to be produced by Derek Lawrence. It is also the heaviest Wishbone Ash album in years, featuring rockers like the hit single "You See Red" and the multi-part progressive rock epic "The Way of the World." Many fans considered this to be a true return to form after their flirting with an "American" sound on their previous trio of albums.