Paganini’s Caprices have exerted a mesmeric attraction for composers since their publication in 1820 (they were composed between 1802 – 1817). Liszt, Chopin, Berlioz, Rachmaninov to name a few. Schumann’s two sets of Etudes were the result of hearing Paganini play in Frankfurt in April 1830. These early compositions are comparatively rare in performance – they were composed at the same time as the Abegg Variations Op.1, Papillons Op.2, Davidsbündlertänze Op.6, the Toccata Op.7 and the famous Carnaval Op.9. From these early works to his last days in the asylum at Endenich where he composed a piano accompaniment to the 24th Caprice, Paganini was still working his magic on Schumann.
The outstanding young German pianist Joseph Moog makes his debut on ONYX with a superb disc of two great Russian piano concertos that have had very different fates. Anton Rubinstein s 4th was once one of the most famous and popular concertos in the repertoire, and many of the major virtuosos performed this work into the early years of the 20th century when the composer s other works vanished from the concert hall.