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2022 release. Radiance is the sixth studio album for the Dead Daisies who have gone from strength to strength over the last 10 years. Once again produced by Ben Grosse, the album features 10 standout songs that evoke an energy and shine not known since the golden age of hard rock in the 0s and early 80s. Carried by the muscular drumming of Brian Tichy, fueled by the riffage of David Lowy, refined by the power and glory of Doug Aldrich and brought home by the low end thump and high end wails of Glenn Hughes, it once again shows The Dead Daisies on true form. Put the record on and get lost in time - Radiance is truly here.

To mark the 150th anniversary of one of the most popular of all classical composers, Grammyr-winning conductor Yannick Nézet-Séguin and his 'Fabulous Philadelphians' present Rachmaninoff's Symphonies Nos. 2 and 3, and the symphonic poem Isle of the Dead. This release completes their two-part survey of the three symphonies and other major orchestral works and, like the first instalment of 2021, continues to build on the orchestra's incomparable Rachmaninoff legacy.

Today, Brendan Perry announces the reissue of his 1999 album, Eye of the Hunter, expanded for its first ever repress to now include a bonus live album Live at the I.C.A., recorded during 4AD’s infamous 13 Year Itch residency at the storied London venue in 1993.

Dave's Picks Volume 24 is a three-CD live album by the rock band the Grateful Dead. It contains the complete concert recorded at the Berkeley Community Theatre in Berkeley, California on August 25, 1972. It was produced as a limited edition of 16,500 copies, and is scheduled to be released on November 1, 2017.

Dave's Picks Volume 24 is a three-CD live album by the rock band the Grateful Dead. It contains the complete concert recorded at the Berkeley Community Theatre in Berkeley, California on August 25, 1972. It was produced as a limited edition of 16,500 copies, and is scheduled to be released on November 1, 2017.

Dead Meadow's unique marriage of Sabbath riffs, dreamy layers of guitar-fuzz bliss, and singer Jason Simon's high-pitched melodic croon have won over psychedelic pop/rock and stoner rock fans alike, while elements of folk and pop would creep into their formula over time. Although the band's members met while attending all-ages shows in and around Washington, D.C.'s punk/indie scene, the trio draws more of its sound from such classic rock legends as Pink Floyd and Black Sabbath. The trio formed in the fall of 1998 out of the ashes of local indie rock bands the Impossible 5 and Coulour, with singer/guitarist Simon, bassist Steve Kille, and drummer Mark Laughlin. The three members set out to fuse their love of early-'70s hard rock and '60s psychedelia with their love of fantasy and horror writers J.R.R. Tolkien and H.P. Lovecraft. Collection includes: "Dead Meadow" (2000); "Howls From The Hills" (2001); "Got Live If You Want It!" (2002); "Shivering King And Others" (2003); "Feathers" (2005); "Old Growth" (2008); "Three Kings" (2010); "Warble Womb" (2013).

A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear.

Three CDs. Madison Square Garden, the world-famous New York City arena, was a home away from home for The Grateful Dead, a reliable sanctuary where the band would ultimately play 52 shows, a record at the time. The venue's fine acoustics combined with the fans' unbridled energy consistently brought out the best in the Dead. At the band's 2015 induction ceremony into Madison Square Garden's Walk Of Fame, Bobby Weir said "This place was both horrifying and titillating with an audience that was discerning but ravenous. We had to rise to the occasion every time."