Peter Bernstein

This second gathering of MTB (titled for the surnames of Brad Mehldau, Mark Turner and Peter Bernstein,) is an intense, focused recital that reinforces the exalted position each member holds in the 2024 jazz landscape. Everyone listens. No one overplays or goes for "house." The ambiance is one of concentrated excellence. When eminent jazz practitioners with shared histories convene in the studio without rehearsal or preparatory gigs, a perfunctory, by-the-numbers session is often the outcome. That is decidedly not the case on Solid Jackson, whose personnel, four of whom participated on the well-wrought day-after-Christmas of 1994 Criss Cross album titled Consenting Adults, reside in any hardcore jazz connoisseur's "top-five." All in all, the session is, as the cliche goes, "all killer, no filler," performed at a level that might have provoked Charlie Haden to respond with a hearty "Solid Jackson." "There was a natural blend," Bernstein says. "We all go way back, and everyone was very comfortable being around each other. One thing I like about making a record is that you're able to spend a day with people you've been meaning to hang out with for a long time. It's not just a party. You're working, too. But that's how we interact socially - by playing music. I was amazed. It's 30 years after we did the first one, but everyone is relatively intact. It's really a miracle. We're all still here; we get to play together again.

This second gathering of MTB (titled for the surnames of Brad Mehldau, Mark Turner and Peter Bernstein,) is an intense, focused recital that reinforces the exalted position each member holds in the 2024 jazz landscape. Everyone listens. No one overplays or goes for "house." The ambiance is one of concentrated excellence. When eminent jazz practitioners with shared histories convene in the studio without rehearsal or preparatory gigs, a perfunctory, by-the-numbers session is often the outcome. That is decidedly not the case on Solid Jackson, whose personnel, four of whom participated on the well-wrought day-after-Christmas of 1994 Criss Cross album titled Consenting Adults, reside in any hardcore jazz connoisseur's "top-five." All in all, the session is, as the cliche goes, "all killer, no filler," performed at a level that might have provoked Charlie Haden to respond with a hearty "Solid Jackson." "There was a natural blend," Bernstein says. "We all go way back, and everyone was very comfortable being around each other. One thing I like about making a record is that you're able to spend a day with people you've been meaning to hang out with for a long time. It's not just a party. You're working, too. But that's how we interact socially - by playing music. I was amazed. It's 30 years after we did the first one, but everyone is relatively intact. It's really a miracle. We're all still here; we get to play together again.

Live, straight-ahead, and swinging a new release from one of the world s most renowned jazz guitarists, recorded at one of the 100 Best Jazz Clubs as voted by DownBeat magazine! Features one of Canada s premier rhythm sections including pianist Tilden Webb, award-winning bassist Jodi Proznick, and award-winning drummer Jesse Cahill.

A record release party two decades in the making, "Signs LIVE!" reunites the four master musicians who came together 20 years earlier to record the acclaimed Signs of Life, the second album by guitar-great Peter Bernstein. Recorded live at Jazz at Lincoln Center, the album captures the longawaited live debut of Bernstein’s once-in-a-lifetime quartet featuring pianist Brad Mehldau, bassist Christian McBride, and drummer Gregory Hutchinson.

Tenere i rischi sotto controllo è tipico dei tempi moderni, una delle grandi conquiste dell'umanità divenuta consapevole, a un certo punto della sua evoluzione, che il futuro è più di un capriccio degli dei e che gli uomini e le donne non sono passivi di fronte alla natura. Questo mutato atteggiamento nei riguardi del controllo del rischio ha permesso di incanalare la passione umana per il gioco e le scommesse verso la crescita economica, il progresso tecnologico, il miglioramento della qualità della vita. Non è stato un percorso facile, ma di sicuro è stato entusiasmante: ce lo racconta in questo libro Peter Bernstein, partendo dagli albori della nostra specie per giungere all'era dei super computer..

Maceo Parker's former rhythm section is now the longest-lived organ trio in jazz history.

One of the great jazz organ trios in history and certainly the longest lasting, Larry Goldings, Peter Bernstein, and Bill Stewart celebrate 30 years together with the release of Perpetual Pendulum and its first single, Duke Ellingtons beautiful Reflections in D. Highly anticipated release from this well-established and beloved group. Coverage and advertising at major jazz magazines (DownBeat, JazzTimes, and Jaziz) as well as general interest publications globally.

Virtuoso harmonica player Hendrik Meurkens teams up with the legendary Jimmy Cobb, Peter Bernstein and Mike LaDonne for a great new recording!

One of the foremost financial writers of his generation, Peter Bernstein has the unique ability to synthesize intellectual history and economics with the theory and practice of investment management. Now, with classic titles such as Economist on Wall Street, A Primer on Money, Banking, and Gold, and The Price of Prosperity—which have forewords by financial luminaries and new introductions by the author—you can enjoy some of the best of Bernstein in his earlier Wall Street days.