Phillip Glass

“A wonderful ensemble, the Dublin Guitar Quartet has carved a place for itself in the world of classical music. I am very pleased that my music is part of their repertoire. This is a very special arrangement. Arranging for guitars is a very tricky business and you really have to know what you are doing, so I have never done it, but Dave Flynn and Brian Bolger have made these arrangements and they're really quite beautiful."

Orange Mountain Music presents a new studio recording of Philip Glass's Fifth Symphony performed by Trinity Wall Street, Novus NY, Trinity Youth Chorus, and a remarkable group of soloists in a new recording celebrating the 20th anniversary of the piece which premiered on 28 August 1999 at the Salzburg Festival as part of the celebrations around the Millennium.At 100 minutes long, Glass's Fifth Symphony is his magnum symphonic opus. The piece reflects a journey of human experiences through texts of the world's various "Wisdom Traditions" (religions).

Orange Mountain Music is proud to present the new album ESCAPE from guitarist Gerard Cousins featuring arrangements for solo guitar of Philip Glass's best known music. Appropriately, Cousins starts with a flowing account of Opening, the first track from Glass's iconic 1983 album Glassworks, designed to introduce people to the public to the composer’s music. Cousins follows the mood with four tracks from Glass's piano pieces Metamorphosis, the second of which, Metamorphosis No.2, became the basis for the piece Escape! from the Oscar Nominated score to The Hours. The album concludes with Knee Play 2 from Glass's 1976 opera Einstein on the Beach, a landmark of 20th century theater, and finally Truman Sleeps from Glass's Golden Globewinning score to The Truman Show.

This low-budget Philip Glass opera, Les enfants Terribles, is based on a novel and play by Jean Cocteau, forming the third ring in Glass' trilogy of works devoted to the elaborate personal mythology of the great French visionary. Foregoing the controversial and dualistic 1949 film of Les enfants Terribles made by Jean-Pierre Melville, Glass decided to realize the visual element through a collaboration with choreographer Susan Marshall, re-creating Cocteau's story as a "dance opera." Les enfants Terribles is the most compelling Glass score beheld in many years.

This disc of Philip Glass' Tirol Concerto for piano and orchestra is among the first wave of releases from Orange Mountain Music, a label started by Kurt Munkacsi and Don Christensen out of their attempt to archive the master tapes of Glass' music. Most of the releases slated to appear are of older recordings, including many that have not been heard before. But the Tirol Concerto for piano and orchestra dates only from 2000 and was recorded in 2002.

For someone who doesn't know much about the Kronos Quartet or Phillip Glass and who dabbles in classical music in general, I must say that this CD is one of my alltime favorite CDs. The music is intricate and haunting, I have listened to this CD more than 200 times and I don't seem to tire of it.

A 3-CD set, “Looking Through A Glass Onion” assembles these disparate strands into one cohesive package, with the studio day trippers, the cultural pranksters, the genre-benders, the folk club stalwarts and the hair-down-to-his-knees prog-rock brigade all grooving up slowly to the starting line.

It is not easy for a classical recording to truly inspire these days. This one does. Seeking common ground between the music of Friedrich Haendel and Philip Glass, Anthony Roth Costanzo alternatively sings works by the two composers in his beautiful raw soprano voice. He is accompanied by the early music Essemble Les Violons du Roy. Costanzo has created a musical unity that carriers the listeners with ease between the acoustic emotions of the Baroque and the Modern. A magnificent and moving recording.

A 3-CD set, “Looking Through A Glass Onion” assembles these disparate strands into one cohesive package, with the studio day trippers, the cultural pranksters, the genre-benders, the folk club stalwarts and the hair-down-to-his-knees prog-rock brigade all grooving up slowly to the starting line.