Piano

The collection gathers the best relaxing tunes from the piano repertoire performed by most eminent musicians: Piotr Anderszewski, Leif Ove Andsnes, Daniel Barenboim, Bertrand Chamayou, Aldo Ciccolini, Samson François, Hélène Grimaud, Stephen Kovacevich, Nicolai Lugansky, Maria-João Pires, Maurizio Pollini, Anne Queffélec, Alexandre Tharaud and Alexis Weissenberg.

All 32 of Beethoven's piano sonatas performed by one of his greatest interpreters, Daniel Barenboim. Most sets need 10 CDs to cover this piano cycle, so ours is even more of a bargain!

“Nobody plays this music more authoritatively and eloquently,” wrote London’s Sunday Times of Stephen Kovacevich in Beethoven. “He is in his element, responding wholeheartedly to the extreme physicality that Beethoven brought to music … but the wit and delicacy of the playing are also remarkable.”Kovacevich himself has spoken of his love for the “fun and virtuosity” of the composer’s early sonatas, while in the often

Rudolf Buchbinder is firmly established as one of the most important pianists on the international scene, he is a regular guest of such renowned orchestras as the Berlin Philharmonic, Vienna Philharmonic, New York Philharmonic, Orchestre National de France, London Philharmonic, National Symphony, and the Philadelphia Orchestra. He has collaborated with the world’s most distinguished conductors including Abbado, Dohnányi, Dudamel, Frühbeck de Burgos, Giulini, Harnoncourt, Maazel, Masur, Mehta, Saraste, Sawallisch and Thielemann and is a regular guest at the Salzburger Festspiele and other major festivals around the world.

'Panorama of American Piano Music' is a comprehensive survey of 20th century piano works, beginning with Ives’ “The Alcotts” movement from the 'Concord Sonata' (1912) through Lou Harrison’s 'Summerfield Set' (1988). Every decade is represented with works from between those years. Pianist Yvar Mikhashoff (1941–93) was a master at presenting marathon concerts on a single theme. The 'Panorama' was one of them, exploring the remarkable diversity of 20th century American music, from serialism to minimalism, populist to avant garde experimentalism, short works for amateur pianists to virtuoso pieces. Never before has such a survey of piano music been represented.

Tatiana Shebanova, who also features in the Fryderyk Chopin Institute’s on-going Real Chopin series (see review special, p83), gets her own complete, modern instrument (as opposed to Real Chopin’s historic instruments) cycle on the Polish label Dux. Arranged in opus order, it presents a satisfying survey of Chopin’s development, and it spares the listener from (for example) a lack of variety in the usual hour-long sequence of waltzes.