Canada’s Blake Hargreaves summons the almighty power of Europe’s auld pipe organs in his spellbinding suite of improvisations recorded in churches in Genova, Höchst, Den Haag, Paris, Berlin, Prague, Budapest and Frankfurt. Make no mistake though, this is no hard academic exercise, this one’s on a pop tip, think about when Kara-Lis Coverdale talked about re-arranging hymns with a bit of Drake, or as the label put it "…as sweet as Schubert!”
On a wide selection of recordings solo, with orchestra, and in chamber music Sharon Bezaly has demonstrated not only ‘utter commitment to the works’ but also ‘the most technically assured, breathtakingly brilliant flute-playing around’ (Fanfare). On Pipe Dreams, she appears with the eminent Australian Chamber Orchestra and their leader Richard Tognetti in a programme which takes its name from the Australian composer Carl Vine’s work for flute and orchestra.
Sharon Bezaly here performs with the eminent Australian Chamber Orchestra and Richard Tognetti in a programme which takes its name from the Australian composer Carl Vine’s work for flute and orchestra. Pitangus Sulphuratus from the Venzuelan composer Adina Izarra’s concerto – composed in 1987, but with a new cadenza written especially for Bezaly – depicts a yellow and brown bird found in the Caracas valley. Its call appears throughout the piece.