Prestige Records

The Modern Jazz Quartet - The Complete Modern Jazz Quartet Prestige & Pablo Recordings (2003) {4CD Set}
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© 50s, 80s, 2003 Fantasy / Prestige / Pablo | 4PRCD 4438-2
Jazz / Third Stream / Bop / Cool

In typical Fantasy Records aplomb, this four-CD set collects the eight albums which the Modern Jazz Quartet either mentored or collaborated on during their tenure at the commencement and nadir of their reign as jazz's premier chamber ensemble. Beginning with the 1952 issue of Modern Jazz Quartet/Milt Jackson Quintet recording (the earlier Milt Jackson Quartet sides are not here for obvious reasons, as the band did not commence its fully developed form on them) featuring original drummer Kenny Clarke before Connie Kay replaced him, and ending with This One's For Basie in 1985; the association the MJQ had with Prestige was a monumental one.

Miles Davis - Chronicle. The Complete Prestige Recordings 1951-1956 {1987 Fantasy/ZYX, 8PCD 012-2}
EAC Rip | FLAC (tracks+.cue+log) - 3,04 GB | Scans JPG - 44 MB | MP3 CBR 320 kbps (LAME 3.98) - 1,28 GB
Genre: jazz | RAR 5% Rec. | Label: Prestige / Fantasy / ZYX | CAT #8PCD 012-2 | 1987

This CD compilation presents, on 8 discs, 17 recording sessions made between 1951 and late 1956 by the extraordinary trumpeter, leader, composer, and perpetual catalyst–Miles Davis. Featured in this collection are such major artists as Charlie Parker, Thelonious Monk, Charles Mingus, Sonny Rollins, Lee Konitz, and the original Davis Quintet: John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones. The expanse of Miles Davis's recordings for Prestige Records, the California analogue to New York's Blue Note, is huge. In terms of artistic development, the eight CDs in this box span Davis's development from tentative searching through the full bloom of his first great quintet, whose frontline boasted Davis and a young John Coltrane.

John Coltrane - Side Steps (2009) {5CD Box Set, Prestige PRS-31345 rec 1956-1958}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.27 Gb | MP3 @320 -> 915 Mb
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© 1956-58, 2009 Prestige / Concord | PRS-31345 | 24bit remaster
Jazz / Hard Bop / Saxophone

The artistic prowess of saxophonist John Coltrane was so expansive and influential - even in his own short lifetime, let alone in the decades since his death - that it's difficult to quantify or differentiate his significance as a leader, a collaborator, a sideman or any other role in the jazz idiom. What's certain, though, is that some of his most pivotal session work took place on the Prestige label in the 1950s.

John Coltrane - Interplay (2007) {5CD Box Set Prestige PRCD5-30204 rec 1956-58}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.76 Gb | MP3 @320 -> 735 Mb
Full Artwork @ 600 dpi (png) -> 2.91 Gb | 5% repair rar
© 1956-58, 2007 Prestige / Concord | PRCD5-30204 | 24bit remaster
Jazz / Hard Bop / Saxophone

Interplay, Prestige Records' new 5-CD set, containing early collaborative recordings of the peerless tenor saxophonist and visionary John Coltrane, serves two distinct purposes. The first is to offer an extraordinary collection of music that provides an excellent overview of the modern jazz scene during the fertile 1956-1958 period. The other - and arguably more important purpose to the legions of Coltrane faithful - is its rich delineation of the evolutionary process behind one of the most profoundly important and emotionally compelling artists this planet has ever seen.

Sonny Stitt - Prestige First Sessions (1992) {Prestige PCD-24115-2 rec 1950-1951}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 200 Mb | MP3 @320 -> 150 Mb
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© 1950-51, 1992 Prestige Records / Fantasy | PCD-24115-2
Jazz / Bebop / Bop / Saxophone

Sonny Stitt is heard in his early prime throughout this CD, sticking to tenor on all but two of the 24 selections. Few could play bebop with Stitt's sincerity, quick reflexes and large vocabulary. He swings hard throughout the performances, most of which feature him as the only soloist. Three dull vocals aside (by the forgotten Teddy Williams and Larry Townsend), this gapfilling CD is highly recommended to fans of classic bebop.

Sonny Stitt & Don Patterson - Legends Of Acid Jazz Vol 2 (1968) {Prestige 00025218521024 rel 2006}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 457 Mb | MP3 @320 -> 171 Mb
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© 1968, 2006 Prestige Records / Fantasy / Universal | 00025218521024
Jazz / Bop / Soul Jazz / Organ / Saxophone

Two-fer CD reissue combines two 1968 sessions, both featuring Stitt and Patterson, that were recorded on consecutive days (September 23-24, 1968), although one was issued under Patterson's name and the other under Stitt's. The first six songs were issued as the Patterson LP Funk You!, on which Patterson leads a date that also has Sonny Stitt and Charles McPherson on saxes and Pat Martino on guitar. The other players get about as much space as Patterson, and as 1960s jazz with organ goes, this is pretty straight-ahead and boppish, rather than soul-jazz (as so much organ jazz from that decade was).

Bill Jennings & Jack McDuff - Glide On (1999) {Prestige PRCD-24234-2 rec 1959-1960}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 462 Mb | MP3 @320 -> 181 Mb
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© 1959-60, 1999 Prestige Records / Fantasy | PRCD-24234-2
Jazz / Bop / Soul Jazz / Guitar / Organ

Bill Jennings' guitar was integral to the sound of jazz organ pioneers Bill Doggett and Wild Bill Davis. His dry, twangy, swinging sound was also part of organist Jack McDuff's transitional first release as a leader, Brother Jack. Here Jennings is in the spotlight on a compilation of his 1959 date, Enough Said, and 1960's Glide On. The lineup is actually the same as on Brother Jack: McDuff, Wendell Marshall on bass, and Alvin Johnson on drums. Jennings' brother, Al, joins in on the later set, contributing second guitar and some effective work on vibes.

A beautiful way to experience the early work of Miles Davis - all 14 of his 50s albums for Prestige Records, presented in a special box that contains each album in a tiny replica LP-styled sleeve. The music here is the stuff of legend - trumpet material that really transformed the way the instrument was used in jazz - as Davis really comes into his own as a leader, after time spent recording with Charlie Parker, and doing a bit for Blue Note - then really taking off in the full length space offered by the album format on Prestige. Some of these sets feature classic collaborations with the young John Coltrane, and others include work with Sonny Rollins on tenor, Milt Jackson on vibes, and JJ Johnson on trombone - as well as the famous rhythm section of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums…