Paganini: Quartets For String And Guitar

Paganini’s string quartets with guitar are amongst his very finest chamber compositions. Written for friends and private performances they reveal the care he took in their construction. The dialogues in Quartet No. 6 are conversational but Nos. 11 and 13 are more advanced – here formal ingenuity and melodic creativity are fused with great character. Paganini’s feel for aria-like lyricism, for operatic richness, conveyed with a variety of musical ideas, is at its zenith in these works.

Paganini’s string quartets with guitar are amongst his very finest chamber compositions. Written for friends and private performances they reveal the care he took in their construction. The dialogues in Quartet No. 6 are conversational but Nos. 11 and 13 are more advanced – here formal ingenuity and melodic creativity are fused with great character. Paganini’s feel for aria-like lyricism, for operatic richness, conveyed with a variety of musical ideas, is at its zenith in these works.

Dynamic, the independent Italian record label, based close to Paganini’s birthplace in Genoa, has compiled this ten disc set of their previously issued Paganini recordings. It seems that several of these recordings were receiving their first recording. Although this box includes the complete edition of Paganini’s fifteen quartets for strings and guitar; the three string quartets and a number of other chamber works there is certainly much of Paganini’s chamber music not included here.

This release is a source of pride for guitarist Alberto Mesirca for several reasons. First, it’s the culmination of a recording endeavour begun in 2016, which sprung from an idea Mesirca had during an after-concert dinner with his beloved, late mentor, violist Vladimir Mendelssohn, who particularly loved yet had never performed Paganini’s 15th Quartet (more like a viola concerto with strings and guitar accompaniment). Mesirca then managed to convince Vladimir Mendelssohn to prepare scores for the complete repertoire.

Those who still think of Wagner’s Tristan as quintessentially erotic music should definitely reconsider: in the list drawn by The Most Erotic Classical Music of All Time, an album with a provocative cover featuring a woman’s derriere and suspenders, in good company with an obvious Bolero and a punctual isottesque finale and a less-obvious Moonlight Sonata or a Good Friday Spell (all by the German from Leipzig), one finds the Centone di Sonate for violin and guitar by Niccolò Paganini (Genoa 1782 – Nice 1840) and precisely with the opening movement of the Sonata in A minor placed in the opening of the present collection.

Nicolo Paganini was born in Genoa, Italy, Oct 27, 1782. He was one of six children born to Teresa and Antonio Paganini. He was an Italian violinist and a composer, considered by many as the greatest of all time.